« Settler manhood must be displayed: Melisssa Bellanta, ‘”Poor Gordon”: What the Australian Cult of Adam Lindsay Gordon Tells Us About Turn-of-the-Twentieth-Century Masculine Sentimentality’, Gender & History, 28, 2, 2016, pp. 401–421
Islamophobia and settler colonialism: Heather Porter Abu Deiab, Islamophobia’s Transnational and Settler Colonial Realities: Gaps Within Ethnic Studies Narratives, PhD Dissertation, San Francisco State University, 2016 »

Settler colonialism must be represented: Madalena Santos, ‘Palestinian narratives of resistance: The Freedom Theatre’s challenge to Israeli settler colonization’, Settler Colonial Studies, 2016

17Jul16

Abstract: This article focuses on the Freedom Theatre in Jenin, Palestine, to consider the Theatre’s project and performances as practices of creative resistance. It theorizes creative resistance to examine the Theatre as a mode of narrative performance against the logics and materiality of settler colonialism. In exploring this creative project, this study conceives of narratives as sites of struggle that are significant in the contestation and transformation of dominant settler colonial myth.


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