Abstract: Migration from Europe to the United States in the late nineteenth and early twentieth centuries is known for its confrontation with racialized and gendered migration control. In line with this, this paper aims to analytically extend the migration control of that period to the biopolitics of settler colonialism. By patchworking transnational archives (in the United States and the Netherlands), it investigates how medical and immigration control infrastructures were established at Ellis Island (US) and how they operated to identify ‘undesirable immigrants’. Using the lens of biopolitics of settler colonialism, it pays attention to (1) the dominant racialized and medicalized imaginaries behind migration control, (2) the particular socio-spatial arrangement of migration inspection at Ellis Island, and (3) the transnational biopolitical entanglements at play, in the sense that administrative practices at Ellis Island informed practices of commercialized services (Holland America Line) and local authorities in the Netherlands. By empirically and analytically foregrounding the biopolitical formations inherent to settler colonialism in general, and the transnationalized medicalization of border control in particular, this paper shows how the construction of the ‘undesirable migrant’ simultaneously (re)produced the settler colonial imaginary of ‘whiteness’ as well as the imaginary of physical and mental fitness of the nation.



Abstract: This dissertation explores the history of graverobbing in the United States and influence of Race Science on the demand for Indigenous specimens. The original contribution of this research to the historiography modernizes language to redefine graverobbing as posthumous violence in an international necro – economy of trafficking Native cadavers. Through necro – capitalism white elite men commodified decedents and built institutional legacies that continue. Academics, scientists, physicians, Christian ministers, museum professionals, private and federally funded repositories stole, mutilated, sold, and hoarded the dead in exchange for wealth, fame, and power. In the terms of international law, the posthumous violence experienced by Indigenous decedents are genocidal crimes against humanity. Through contrapuntal examination and interdisciplinary methodologies of sociology, psychology, and forensic medicine graverobbing is understood as a patriarchal structure of discursive authority by white educated men and absolute power over bodies of the dead. This dissertation resolves race science and graverobbing as science gone mad. The minds, ethics, and unchallenged claims of scientists are plagued with a fetishistic disorder akin to necrophilism. Unabashed capitalist greed targeted subjugated demographics, terrorized living communities, debased graves, and defiled freshly buried bodies. Key findings demonstrate that broader society became complicit in despoiling the dead. The phenomenon of graverobbing was normalized in a complacent society where the dead had no rights. Racialized science, racialized language of eugenics, and blood quantum pseudoscience influenced federal policy that continues to assault Indigenous identity and Indian Country in the twenty – first century. This dissertation argues that academe, historical institutions, repositories, and medical sciences still prey on nonwhite and subjugated communities. As growing numbers of Indigenous and Black scholars enter fields of museology, medicine, and the human sciences a collaborative approach is reshaping conferences, methodologies, and bioethics. The Indigenous Archaeology Collective and Society of Black Archaeologists are impacting repatriation, exalting cultural and ethnic perspectives while exercising sovereignty and human rights of living communities and the deceased. Decedents have human rights, cultural rights, sovereignty rights, repatriation rights, and the right to remain interred. All decedents should have the right to remain safe from the institutional abuse historically enforced through ideologies of ethno – supremacism.



Description: How the rhetoric of monogamy was weaponized against Indigenous and queer lives by colonial powers in the nineteenth century. While marital monogamy is often posited as inevitable and essential, it was in fact a negotiated practice inflicted onto occupied lands to enforce social control and white settler reproduction. Conjugal States makes an ambitious and far-reaching investigation of how colonizers used monogamy to symbolize modernity, weaponized against Indigenous communities in South Africa, New Zealand, and British Columbia—and how this process was complicated by the emergence of the Mormon Church. In Conjugal States, T.J. Tallie reveals how the queer destabilizing potential of Mormon polygamy in the nineteenth century clashed with the broader aims of colonization, resulting in legal action against plural marriages and fears of Mormon “contamination” in other settler spaces. As colonial powers attempted to delineate and justify their occupation, monogamous marriage became a key method of performative civilization. By analyzing the fraught debates concerning gender, marriage, belonging, and race that arose between British settlers, Christian missionaries, South Asian migrants, and Indigenous peoples in contested territories around the world, Tallie reveals how marital practices and prohibitions shaped the contours of colonial life. A deeply archival work, Conjugal States illuminates how both monogamous marriage and colonial power were predicated on the precarity of their own control. Tallie tells the story of the enormous repercussions of this global phenomenon, providing a history of sexuality, settler colonialism, and Indigenous peoples that charts varied forms of native resistance to settler incursions.




Abstract: This investigation examines how settler colonialism obscures Indigeneity behind the settler Indian caricature. Making Indigenous presence visible, legible, and accessible within the settler colonial landscape of South Florida when attributed within settler colonial Indian representations around tourism. To analyse how settler colonial structures create these Indian representations, this thesis explores the ancestral land of the Seminole and Miccosukee peoples. In this, the field of study does not analyse Indigenous representations but rather settler Indian representations. To perform this, I draw on settler colonial theory, decolonial thought, and Indigenous scholarship. This introspection allows the research to situate and understand colonialism as an enduring structure that continues to organise space, memory, and visual culture in the present. While also being grounded in a decolonial methodological orientation, the thesis engages with urban and rural environments, tourist infrastructures, and public-facing cultural sites across South Florida to examine how representations are colonially manipulated. Through attention to visual, spatial, and textual forms, I examine and display how Indigenous representations circulate within everyday settler spaces, not as contemporaneous political subjects, but as aestheticised symbols that appear detached from land, history, and futurity. Thus, by situating South Florida as a site where spectacle and colonial power intersect, this research contributes to wider conversations in decolonial geography, visual culture, and Indigenous studies. Overall, this work highlights the need to reconsider the unfettered display and consumption of Indigenous representations. This remains central to the reproduction of the settler colonial order of assimilation and erasure. Thus, an active acknowledgement and engagement with the coloniality of representation is needed that frames Indigenous peoples within their own economic, social, and representational sovereignty.





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