Abstract: Settler colonial ideology persists not only through official narratives and explicit beliefs but through perception, affect, and the organization of public space. Using case studies of heritage tourism sites in St. Augustine, Florida, I develop the concept of the colonial uncanny: a historically specific, managed affective disturbance that arises when colonial representations reactivate inherited perceptual and affective orientations. I argue that these environments are structured to afford a particular kind of affective encounter with colonial violence for settler visitors. In settler colonial societies, heritage spaces tend to depict the past in ways that do not disrupt settler legitimacy. This often occurs through erasure and silencing, but not always. Settler societies can also manage the past by making violent histories partially visible in representational modes that both disturb and stabilize settler subjects. I call this structure the colonial uncanny. It emerges when historically sedimented ideological residues and surmounted developmental dispositions are reactivated together, so that colonial ways of seeing momentarily reappear as both unsettling and familiar before being restabilized through modes of containment that convert discomfort into education and thrill. Through comparisons of Ripley’s Believe It or Not! Museum, the Fountain of Youth Archaeological Park, and the Old Jail Museum, I show that the colonial uncanny is not an intrinsic property of sites but a relational encounter produced between representational environments and historically positioned spectators. I further argue that this encounter operates through an iterative process of construction and containment, through which unsettling colonial histories are made perceptible, managed, and folded back into everyday forms of settler common sense.


Abstract: Ice hockey occupies a central place in Canadian popular culture and national mythology, routinely invoked as “Canada’s game” and as a formative site for producing disciplined and socially valued citizens. At the same time, the sport has been widely critiqued for reproducing racialized exclusion, settler colonial power relations, and other forms of social harm. This article examines the intersections of sport, settler colonialism, and reconciliation through diverse engagements with ice hockey, focusing on the Beardy’s Blackhawks, a U18 AAA boys’ team based in the Beardy’s and Okemasis Willow Cree First Nation in central Saskatchewan. For more than 25 years, the Blackhawks provided Indigenous and settler youth access to elite-level hockey within a culturally grounded First Nations context. Drawing on a year-long ethnographic study, including interviews with Indigenous (First Nations and Métis) and settler players, the article traces how a sport historically used as a tool of cultural assimilation in residential schools has been reworked as a site of cultural affirmation, relationship-building, and intercultural exchange. We demonstrate that participation in the Blackhawks fostered community rooted in First Nation values while also prompting settler players to confront and unlearn racialized assumptions. While highlighting hockey’s potential to support reconciliatory relationships, the article also underscores the fragility of such spaces, evidenced by the program’s eventual dissolution and the loss of a rare high-performance pathway for Indigenous youth living on reserve.





Abstract: This thesis is an inquiry into turquoise, a mineral primarily used as a gemstone in jewelry, and one of many different significant materials used in Southwestern Native American cultures and traditions. Despite the diversity of Native jewelry form and materials, jewelry set with turquoise generally overshadows other types of Native-made jewelry as a coveted and collected object for non-Native consumers. This thesis examines settler desires for turquoise mined from Native homelands through time, starting with the territorial New Mexico colonial political economy of turquoise mining in the 19th century in which settler men attempted to construct a narrative that Native turquoise mines had been abandoned. The mineral is also collected for Victorian curio cabinets and displayed on the bodies of white settler women for whom the gem becomes their connection to dead Native sisters of the female settler imaginary. ii The mineral discussed in this thesis has saturated the Southwest Native American jewelry market for over a century. Today, Native jewelers navigate the enduring settler capitalist structure of the turquoise economy, where white mine owners control access to the uncut gem, and where commodified gems as jewelry function as they have since the 19th century as markers of a culture deemed to be of the past. The story of turquoise is the continuing story of Native dispossession: the theft of Native land and resources and the confinement of Natives to anachronistic space and time. It is also the story of refusal and Native contestation of the story of their disappearance and confinement to prehistory. Gender is central to this quintessential story of dispossession and settler capitalism. From the masculine settler subjects who claim the mines, to the white male ethnographers, to the white settler women who narrate and lend content to the imaginary story of the vanishing Indian and her fantasy of dead turquoise-wearing Native sisters, turquoise proves essential to the making of colonial subjectivities. When Native jewelers sell their turquoise creations in the Santa Fe jewelry market, they must navigate a colonial field of white mine owners and the trading post histories that mark Native labor, creativity, and jewelry as colonial commodities. Gender is central to how these colonial fields can be traversed. If the story of turquoise is the quintessential colonial story of theft and extraction in the Americas and elsewhere, in the Southwestern United States, the story reveals how a single mineral is extracted and commodified into an innocent gem that masks the story of conquest and dispossession. Transformed from a sacred object into an aesthetic object, turquoise tells the story of settler colonialism, revealing the specific gendered procedures and mythologies of settler property regimes in the Southwest.



Abstract: Settler ecologies are the processes by which settler administrations imagine, construct, govern, discipline, and police nature, nonhuman animals, and Indigenous or otherwise marginalized communities. This article focuses on the role of law in constituting and advancing settler ecologies. It examines how legal regimes animate the colonial administration of nature across multiple geopolitical settings, including Palestine-Israel, the United States, Australia, South Africa, and Kenya. Drawing on these diverse observations, the article identifies three central legal technologies of settler ecologies: juxtaposition, which refers to law’s capacity to generate and stabilize oppositional categories; frontier ecologies, which detail how doctrines such as terra nullius and legal instruments like protected areas expand and cement law’s reach into new materialities; and hyperlegality and criminalization, which transform the violence of conquest into a routinized apparatus of environmental governance. Together, these three legal technologies of settler ecologies trace a continuum—from law’s work of ordering and differentiation, through its territorial projection, and finally to the bureaucratic governance of life. The article concludes with just legal ecologies, exploring how Indigenous, local, plural, and more-than-human legalities might unsettle the premises and start to heal the traumas of settler ecologies, while affirmatively offering other ways of living with the earth. Throughout, the article illustrates that settler ecologies are not peripheral to law but foundational to law’s material conditions and conceptual underpinnings.


Abstract: Palestinians have endured decades of Israeli settler-colonial violence and, since October 2023, genocidal violence in Gaza. This article develops reprocide as a broader analytic framework for understanding the full range of reproductive violence and reproductive destruction enacted within settler-colonial and genocidal projects of elimination. Reprocide encompasses direct and indirect attacks on reproductive capacities, reproductive infrastructures, kinship relations, and the material and spatial conditions necessary for sustaining life, intimacy and collective continuity. I do not use reprocide to replace genocide; rather, I use it to clarify a gendered modality of elimination that is often obscured when immediate killing alone is privileged or when legal attention is limited to the prevention of births. Situated within feminist geography, geopolitics, and reproductive justice scholarship, the article shows how the destruction of hospitals, homes and conditions for intimacy links bodily harm to spatial strategies of elimination. Methodologically, the article draws on autoethnographic reflection and testimonies relayed to me by Palestinians in Gaza, triangulated with peer- reviewed scholarship. This article contributes to feminist geography and genocide studies by clarifying the relationship between space, embodiment, reproductive infrastructure, and futurity, and by arguing that reproductive and sexual violence against both women and men should be understood as part of reprocide.





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