« Settler-colonial violence is capitalist violence: David Maile, Gifts of Sovereignty: Settler Colonial Capitalism and the Kanaka ʻŌiwi Politics of Ea, PhD Dissertation, University of New Mexico, 2019
The urban ecology of contemporary settler colonialism: Jessica Parish, ‘Re-wilding Parkdale? Environmental gentrification, settler colonialism, and the reconfiguration of nature in 21st century Toronto’, Environmant and Planning E: Nature and Space, 2019 »

The travels of US settler colonialism: Tyler Norris Taylor, Italy’s American West: Brava Gente, American Indians, and the Circulation of Settler Colonialism, PhD Dissertation, William & Mary, 2019

16Aug19

Abstract: The racialized logics that uphold and perpetuate U.S. settler colonialism are not confined within U.S. borders. Instead, the legacies of white settler colonization and American Indian resistance are woven into processes of Americanization, globalization, transnational migrations, and cultural exchange. The role of white settler cultural production in the ongoing process of U.S. settler colonialism is well-established, as well as the advent of mass culture in facilitating cultural exchange between the U.S. and Europe. Regarding the specific relationship between the United States and Italy, many studies have noted the immense influence of the mythology of the American West in Italian cultural production and, conversely, the impact Italian emigrants to the United States left on American culture and society. The ways in which U.S. settler colonialism intersects with and connects these histories brings to light how U.S. settler colonialism has evolved into an international, rather than solely American, project. “Italy’s American West: Brava Gente, American Indians, and the Circulation of Settler Colonialism” positions the Italian state and Italians as settlers-from-afar of the American West in this evolution. The simultaneity of circulations of American mass culture in Italy, Italian colonialism in Africa, and mass Italian emigration to the United States imbued the development of Italian national identity with U.S. settler colonial logics and expanded the global influence of U.S. settler colonialism. Buffalo Bill’s two tours of Italy in 1890 and 1906, the World’s Columbian Exposition in Chicago in 1893, and Western-themed Italian comic books published from 1948 to today intertwined U.S. white settler cultural production with Italian cultural production. Viewing this cultural production under the umbrella of “transnational settler colonialism”—the circulation of U.S. settler logics and Native resistance in the movements of people and ideas between Italy and the United States—frames them as evidence that U.S. settler colonialism helped construct Italian national identity in the nineteenth and twentieth centuries and continues to inform Italian expressions of colonial desires.


Filed under: Uncategorized   |  Closed