Archival acupuncture against settler colonialism: Mary-Jane Wood, Caelin Damayanti, Dian Rahayu, Sandro Louise Oliveirra, Muhammad Hasan, ‘Curating Dissent: Indigenous Artistic Interventions as Counter-Narratives in Settler-Colonial Archives, Enigma in Cultural, 2025 | settler colonial studies blog

Archival acupuncture against settler colonialism: Mary-Jane Wood, Caelin Damayanti, Dian Rahayu, Sandro Louise Oliveirra, Muhammad Hasan, ‘Curating Dissent: Indigenous Artistic Interventions as Counter-Narratives in Settler-Colonial Archives, Enigma in Cultural, 2025

15Oct25

Abstract: Settler-colonial archives have historically functioned as instruments of state power, perpetuating narratives that erase or marginalize Indigenous peoples’ histories, knowledges, and sovereignties. This study investigated the growing phenomenon of contemporary Indigenous artistic interventions within these institutions, framing them as critical acts of “curating dissent” that challenge the archival claim to objective truth. This research employed a qualitative, comparative case study methodology to analyze three distinct, institutionallysanctioned artistic interventions in major settler-colonial archives in Canada, Australia, and New Zealand between 2020 and 2024. A multi-modal data collection strategy included visual analysis of the artworks, textual analysis of archival records, and thematic analysis of 25 semi-structured interviews with artists, curators, and community members. The analysis revealed three primary strategies of intervention: “Re-contextualization and Juxtaposition,” which disrupts colonial classifications by placing Indigenous epistemologies alongside archival records; “Embodied Knowledge and Affective Encounters,” which uses performance and sensory elements to reanimate ancestral connections within the archive; and “Digital Sovereignty and Archival Remixing,” which leverages digital tools to reclaim and re-narrate colonial documents. Institutional responses ranged from enthusiastic collaboration to forms of negotiated resistance and containment. In conclusion, within the specific context of sanctioned projects, Indigenous artistic interventions function as potent decolonial practices that create new spaces for Indigenous knowledge and memory to flourish. This study proposes the concept of “Archival Acupuncture,” a theoretical framework for understanding how these targeted, therapeutic interventions can systemically alter the narrative body of the archive to foster restorative justice. These acts signal a critical shift, demanding archives become active partners in a more just future.

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