Abstract: This article investigates the capacity for genre fiction to function as a site for decolonial and politically transgressive storytelling through an examination of the emergence and evolution of “Indigenous Gothic” and “Indigenous Futurisms.” I trace the definition and development of each genre and interrogate how these labels arise through an active dialogue shaped by […]

Excerpt: How can people be so insensitive to the dignity and independence of landscape?” author John O’Donahue asked (2010: 134). By people, he did not mean all human beings nor was he calling our attention to human nature. O’Donahue was talking about the human as “lord of creation” possessed by “luciferian pride” (ibid.). He was […]

Abstract: Background: Cultural connectedness–the extent to which individuals feel connected to their culture through practices, language, traditions, and identity– is increasingly recognized as a key determinant of health among Indigenous peoples across the life course. High levels of cultural connectedness have been associated with improved health-related quality of life (HRQoL). Although several studies have examined […]

Abstract: Background: Children’s development is dependent on a range of factors influencing their life course outcomes. Protective and challenging social and cultural determinants impact how Indigenous families support their children’s developmental foundations. However, there is a lack of international evidence investigating Indigenous child development interventions. To gain a perspective across nations with comparable settler-colonial histories, […]

Description: A study of the role of the Western film genre in Australia’s changing political and cultural landscape. Focusing on the influence of the cinematic Western in Australian cinema history, Outback explores how the American genre has been adapted to the changing Australian social, political, and cultural contexts of their production, including the shifting emphases in the […]

Access the chapter here.

Excerpt: While film and photography have traditionally played a part in the extermination of Indigenous peoples and in their misleading representations, Indigenous filmmaking (also known as Fourth Cinema) activates a gaze that centers on Native perspectives, brings awareness to imbalanced filmic practices, and contributes to projects of sovereignty.

Abstract: Environmental devastation in occupied Palestine is a direct outcome of settler colonialism, which systematically dispossesses Indigenous Palestinians of land, resources, and sovereignty. Land confiscation, water diversion, and the deliberate destruction of native species constitute forms of ecocide that exacerbates economic inequality and worsen public health crises, including food and water insecurity, toxic exposure, disease, […]

Abstract: Geographical imaginaries are always in a state of struggle, rooted in logics of exception, dispossession, and radical possibility. This article connects the theoretical, methodological, and political uses of geographical imaginaries to geomedia, connecting their coconstituted entanglements in settler-colonialism and role in maintaining settler-colonial hegemony. In doing so, the author traces the ideological roots of […]

Abstract: This article examines the ongoing genocide in Gaza as a culmination of long-standing Zionist settler-colonial practices, arguing that the apparent internal divisions within Israeli society obscure a deeper structural unity. It contends that these dynamics are better understood as generative tensions within a unified colonial project. Drawing on genocide studies, settler-colonial theory and political […]