Abstract: In Taylor Sheridan’s television miniseries 1883, the origin story of his American neo-Western series Yellowstone, the voice-over narration is given by the central character, 18-year-old Elsa Dutton. Elsa is travelling with her family from Texas to Oregon on the wagon trail to the West along with migrants from Eastern Europe who have little idea of the country they have arrived in. Despite her death at the end of the series, the voice-over in the next edition of the Dutton family saga, 1923, is also given by Elsa. Her role and her ongoing spectral presence are the mythical centre of these stories and of the Yellowstone series. In 1883, she plays the daughter who takes advantage of the freedoms of the trail to get out from under her mother, Margaret Dutton’s, control to join the men herding the cattle, and to have two sexual liaisons, including one with a Native American, Sam. In 1923, as a voice-over only, she plays the role of the ancestor whose grave marks the place in Montana where the Dutton family are fighting for their possession of the land. Interesting directorial and narratival questions arise in relation to the role and voice of Elsa when stories are told of a past in which dispossession from land was being carried out ruthlessly and systematically. While her character exercises enviable freedom for a woman of her time, by contrast her voice-over carries warnings of danger, destruction, hell and disaster for both series, captured in the words, “freedom has fangs”. This gaining of freedom for the settlers and great loss of freedom and autonomy for the Indigenous peoples is a complicated story for the director to manage. This article looks at the storytelling tropes activated in 1883 and shows how they work against intentions to tell an old story differently.



Description: Queer Professionals and Settler Colonialism works to dismantle the perception of an inclusive queer community by considering the ways white lesbian, gay, bisexual, trans, and queer (LGBTQ2S+) people participate in larger processes of white settler colonialism in Canada. Cameron Greensmith analyses Toronto-based queer service organizations, including health care, social service, and educational initiatives, whose missions and mandates attempt to serve and support all LGBTQ2S+ people. Considering the ways queer service organizations and their politics are tied to the nation state, Greensmith explores how, and under what conditions, non-Indigenous LGBTQ2S+ people participate in the sustainment of white settler colonial conditions that displace, erase, and inflict violence upon Indigenous people and people of colour. Critical of the ways queer organizations deal with race and Indigeneity, Queer Professionals and Settler Colonialism highlights the stories of non-Indigenous LGBTQ2S+ service providers, including volunteers, outreach workers, health care professionals, social workers, and administrators who are doing important work to help, care, and heal. Their stories offer a glimpse into how service providers imagine their work, their roles, and their responsibilities. In doing so, this book considers how queer organizations may better support Indigenous people and people of colour while also working to eliminate the legacy of racism and settler colonialism in Canada. This book analyzes queer organizations in Canada and explores the ways health care, counselling, and social services address the intersecting oppressions facing Indigenous people, families, and communities.


Description: Explores the untold impacts of colonialism in New England through diverse colonist lives, Indigenous encounters, and environmental legacies. In The Shock of Colonialism in New England, archaeologist Meghan C. L. Howey uses excavations in the seventeenth-century colonial frontier of the Great Bay Estuary/P8bagok in today’s New Hampshire to trace the connection between European global colonialism and the planetary climate crises. Howey shows how this landscape holds forgotten stories of what it meant to live through the shock of colonialism. These stories reveal an unexpected diversity and dynamism among English colonists, multifaceted encounters with Indigenous peoples, and lasting environmental damage from labor-intensive industries. Early Euro-American maps and stunning archaeological finds, such as a broken pickaxe embedded in a hearth and a historical marker for the Oyster River “Massacre” of 1694, complicate our limited views of a shared past. The reality of English colonialism in the dispossession of Indigenous lands and its wake is not what is seen commemorated. Howey’s work is a powerful corrective that traces the rise of intergenerational colonial wealth made possible by land commodified as property, the increased labor required to work newly opened land, the importation of indentured Scots and enslaved Africans to provide that labor, and the resulting degradation of the natural environment. Through Howey’s insights into the stories they tell, these fragments from a frontier can help contemporary readers better understand the past as they seek a more just and sustainable future.


Abstract: This dissertation traces a melancholic archive of Texan culture, arguing that the fraught psyches it contains are formed by the radical imaginative foreclosures imposed by the state’s settler colonial history. Texas’ history of discursive and forceful claims to Anglo sovereignty parallels that of the United States at large, but in a condensed space and time, placing it within the problematics of settler colonial theory in ways that have yet to be fully understood. Building upon theories of psychoanalysis, settler colonial studies, and Indigenous critical theory, this dissertation considers cultural mediations of Texas for their continued imaginative work of repression and disavowal, work that is necessitated by the central violences and constitutive fraudulences of the state. I look to cinema and literature as realms of shared fantasy that reflect the psychopathological conditions of settler colonial subjectivity. Texas often forms a conflicted site in the national imaginary, one of both desire and disavowal, a screen through which realities of broad and structural historical violences can be effaced, quarantined, or assuaged. I write colonial histories into and alongside these cultural texts, arguing that the violence necessitated by forcing settler fictions into reality offers crucial context to the oftentimes inexplicable or misattributed psycho-affective confusion of Texas cultural characters. The literature of Larry McMurtry, and filmic adaptations of his work, serve as a central locus through which to explore the melancholic psyche of Texan settler masculinity and the trauma of colonial Oedipal demands in Texas. I argue that the centrality of loss that permeates the cultural archive of Texas is best understood as a settler neurosis, a symptom of subjectivities that remain haunted by what they necessarily disavow but are unable to mourn. This dissertation ultimately proposes a radical abandonment of attachments to Texas, motivated by understanding the violent and irreconcilable logics structured within it, in hopes of building more sustainable shared futures.



Abstract: Indigenous women and children in Canada are significantly more likely to experience some form of family violence than their non-Indigenous counterparts. However, biomedical and academic discussions around the violence that Indigenous women and their families and communities face reflect a colonial narrative emphasizing Euro-Canadian perspectives and values; a colonial narrative that disconnects the role of past and ongoing forms of colonial violence and naturalizes family violence within Indigenous communities, informing a view of Indigeneity as risk. Through a decolonial lens, the underlying causes of family violence in Indigenous communities can be connected to the gendered violence of patriarchal colonialism targeting Indigenous women. It is revealed how Indigenous women’s bodies became a site of the coloniality of violence as colonization disenfranchised and displaced Indigenous women from their lands, communities, and central roles. Gendered colonial violence attacked Indigenous women’s scared status in their societies and disrupted Indigenous relational modes of being. This informed a coloniality of being for Indigenous peoples; a coloniality of being integral to intergenerational trauma and family violence. Through the lens of Indigenous laws as a decolonial approach to family violence, the centrality of Indigenous women’s roles and responsibilities as mothers is linked to community wellbeing and intertwined with leadership and governance. By grounding the rights of Indigenous women within relationships, Indigenous women can reclaim their sacred places within respectful, reciprocal, and interconnected ways of being.