Abstract: Malek Rasamny and Matt Peterson’s 2018 documentary Spaces of Exception explores the histories and political commonalities found between Indigenous and Palestinian communities in North America and South-West Asian refugee camps, respectively. Building on the theory of inter/nationalism developed by Steven Salaita (Inter/Nationalism: Decolonizing Native America and Palestine. Minneapolis: University of Minnesota Press, 2016), as well as on Mike Krebs and Dana Olwan’s comparative study of settler colonialism between Canada and Israel (‘From Jerusalem to the Grand River, Our Struggles Are One’: Challenging Canadian and Israeli Settler Colonialism’, Settler Colonial Studies 2(2): 138–64), this chapter analyzes the potential, as represented in Spaces of Exception, for solidarity between Indigenous peoples and Palestinian refugees. I argue that the documentary’s use of changing cartography reveals a historical parallel of land seizure that incites necessary political solidarity among nations occupied by settler colonialism. Spaces of Exception is an interactive documentary, which, Kathleen Ryan and David Staton state, “provides an opportunity for decolonization,” as “it offers a shared authority with narrators, audiences, and filmmakers” (Ryan and Staton, Interactive Documentary: Decolonizing Practice-Based Research. London: Routledge, 2022, p. 3). Through this interactive practice, the documentary’s depiction of daily life in Indigenous reservations and Palestinian refugee camps—and the larger project The Native and The Refugee it is part of—contributes to decolonizing efforts in these communities through reorienting focus from the state to the nation, and therefore reaffirming the need for Indigenous and refugee political solidarity. With the insight of interactive documentary theory, I also make the claim that beyond showing solidarity, Spaces of Exception contributes to decolonial work through the documentary medium.










Description: This book builds on the perspective that, for Indigenous peoples, relations to the land are familial, intimate, intergenerational, spiritual, instructive, and life nourishing, and it is these relations that Western societies sought to destroy as part of their colonial projects of territorial conquest and exploitation of resources. Positioning storytelling as a research methodology and a model of decolonial practice, this edited collection seeks to explore the following key questions: how does Indigenous storytelling contribute to understanding Indigenous identity and the crucial role of the land in Indigenous ways of life? How can Indigenous storytelling subvert colonial narratives of the land? How can Indigenous storytelling contribute to addressing colonial exploitations of the land and its resources? Can Indigenous storytelling become a rich mode for the investigation of current climate crises? And, finally, how does storytelling assist Indigenous peoples in restoring their intimate relations to the land and its natural gifts? Through critical analysis of a unique range of Indigenous storytelling practices, including fiction, performative art, new media platforms, archaeological findings and personal live-experienced stories, this collection aims to examine the interplay between colonialism and current environmental challenges, and to expose the impacts – past, present, and future – of Western worldviews on Indigenous connections to the land, whilst simultaneously bringing to the fore Indigenous ethos of care and land custodianship.