Abstract: This thesis project investigates the historical trajectory and contemporary implications of colonial environmental destruction on the Navajo reservation in North America, focusing specifically on the detrimental effects of uranium mining. Three central research questions guide this inquiry: (1) What is the historical context of colonial environmental destruction on the Navajo reservation? (2) How has colonial environmental destruction harmed the residents on the Navajo reservation? (3) How can the ways settlers have obscured the harms done on the Navajo reservation be explained by theories of racial capitalism, environmental racism, and state corporate crime, as it relates to environmental genocide? Utilizing a historical approach informed by critical Indigenous theory, this research draws upon a diverse range of secondary data sources. Through this lens, the research uncovers the deep-rooted patterns of colonial exploitation and environmental degradation on Navajo lands. The findings reveal the multifaceted impacts of colonial environmental destruction on Navajo communities, including adverse health effects, cultural displacement, and ecological degradation. Furthermore, the study elucidates how settler interests have often aligned with state and corporate entities, as well as perpetuated environmental injustices through mechanisms of racial capitalism, environmental racism, state corporate crime and human right violations. By contextualizing these findings this research underscores the urgent need for environmental justice approaches that center Indigenous sovereignty, community resilience, and restitution for past injustices. It calls for recognition of the ongoing battle of colonial exploitation and a commitment to transformative action to address systemic inequalities and environmental injustices faced by many Indigenous communities.




Abstract: In this paper we examine the activities of US Army topographers and engineers in the Apalachicola-Chattahoochee-Flint (ACF) watershed during the violent transformation of the region from the heartlands of the Creek confederacy to US territorial control. A vital waterway for the Creek in the late eighteenth century, the rivers would become an important transportation network in the US plantation economy by the early nineteenth century. We emphasize that the army made its initial infrastructural improvements in the region to provide security for the plantation system. Army engineering in the ACF watershed began in the struggle for the Gulf borderlands, as white American settlers, British forces, Indigenous peoples, and Black maroons fought for control over the contested terrain. US engineers and topographers produced territorial knowledge and physical infrastructure to facilitate the occupation of Indigenous territory and elimination of potential spaces of Black freedom. Topographic knowledge would later serve as the foundation for restructuring the land as property, naturalizing its possession by white plantation owners. Similarly, roads and waterway improvements, created to facilitate troop movements, would later serve as vital transportation infrastructure for settlement and expanding plantation slavery. This paper demonstrates how military engineering techniques designed to secure the Nation in the context of race war subsequently provided the coordinates for reorganizing the land within an emergent plantation economy inside its territorial borders.


Abstract: What does it mean to narrate the human condition when it is forced to confront militarization, occupation, and displacement? What does it mean to author experiences violently constrained by settler colonialism? Furthermore, what does it mean to engage in such practices using digital media? Reflecting on these questions, my dissertation explores the affirming ways Palestinians narrate their experiences using new and digital media, communicating what I refer to as a digital poetic. In my work, I illustrate how a digital poetic reveals technomediated possibilities for Palestinian sociality not foreclosed by the disembodying and death-making logics of settler colonialism, militarization, occupation, or displacement. I take as my point of departure the impossibility of narration advanced by Edward Said in his essay, “Permission to Narrate” (1984). Said highlights obstacles to narrating a Palestinian experience due to the pejorative powers of Israel and the West’s “disciplinary communication apparatus.” In attending to Said’s call for a Palestinian-authored narration, my dissertation advances a decolonial feminist reading practice illuminating an exclusively Palestinian sociality unconcerned with externalized validation and unrestricted by the disciplinary powers of the state. To undertake this work, my project first outlines a poetics of refusal, by centering Palestinian examples of life-making, life-preserving, and life-affirming practices. To illustrate this, I first engage with the writings of contemporary Arab women writers Etel Adnan, Adania Shibli, and Suheir Hammad to articulate a poetics of refusal that gives rise to a grammatology of an embodied sociality. Then, to exemplify the layered textures of a Palestinian digital poetic, I turn my attention to the 2020 Palestine Writes Literature Festival. Taking place over five days and accessible on the festival’s “Virtual Venue,” social media sites including YouTube and Instagram, Palestine Writes is a celebratory invitation into Palestinian life, culture, and futurity. Untethered by the settler-colonial state’s “disciplinary communication apparatus,” the festival’s literary, cultural, political, and experiential presentations of Palestinian life offer a new language of resistance. These digital poetics not only unearth new publics capable of examining power, but also birth new ways of existing and knowing for those who produce them and those who engage them.