Abstract: The Okanagan Valley of British Columbia is often depicted in Canadian settler culture as an oasis in a desert, or a Garden of Eden, thanks to its exceptional climate and semi-arid shrub steppe biome. With its fruit, tourism, and wine industries, it is best known today as place of leisure and plenty. This idyllic and utopic image of the place is, however, complicated by the complex history of its cultural and material landscape. The Okanagan idealized by Canadians is, in fact, the traditional unceded territory of, primarily, the Syilx people. Since the late 19th century, through successive phases of settler colonialism in the Okanagan, the material and cultural landscape of the area has been written over, reshaped, transformed, and remains contested in many ways. This thesis contributes to a discussion on the making of environmental cultures through an ecocritical reading of the role of the Beautiful British Columbia magazine – with a focus on the years 1959-1983 when it was funded by the provincial government – in shaping the idealized narrative and landscape aesthetic of the Okanagan Valley that persist to this day. The visual and textual analysis of the magazine is framed by the socio-political, economic, and material history of the region from the mid to late decades of the 20th century. While international tourists were presumably the primary audience of the magazine, this thesis argues that the magazine also served the province’s campaign to attract Anglophone migrants and to ‘sell’ British Columbia and more specifically the Okanagan as an idyllic home for white settler populations. It traces and uncovers some of the recurring aesthetic tropes that have constructed and framed both the British Columbian landscape generally and within that, the Okanagan Valley, as an idyllic place to live. It contrasts the white settler colonial landscape aesthetic of the Okanagan with Indigenous imaginations of the place. It brings out the fault lines and contradictions between the imposed settler aesthetic and the material affordances of the environment.


Contents:

  1. Working Group on War on Genocide
  2. Preamble
  3. The Algorithmically Accelerated Killing Machine
    Lucy Suchman
  4. Land, People, and Palestine: Lessons From Jewish Genetics
    Noah Tamarkin
  5. Resistance is Fertile: No Reproductive Justice Without Freedom for Palestine
    Michal Nahman, Sigrid Vertommen, Rodante van der Waal, Rishita Nandagiri, Elif Gül, Weeam Hammoudeh, and Fatimah Mohamied
  6. An Ode to Gazans
    Jess Bier
  7. Mapping a Catastrophe
    Christine Leuenberger







Abstract: In the 19th century, Mennonites of German origin began to found numerous settlements in Central Asia. Of the once large number of German settlers, only a few remain in the Republic of Kyrgyzstan today, most having emigrated to Germany after the collapse of the Soviet Union. However, the village of Rot-Front in Kyrgyzstan is an exception: there are still German-Mennonite families living there who maintain a relationship with those who once left. The aim of this article is to investigate these relations with regard to the creation of transnational spaces. Memory can play a central role in the process of formation of such transnational spaces. This article explores these processes through the lens of cultural geography, applying insights of theories of practice to the study of memory landscapes using the case of the village of Rot-Front in Kyrgyzstan. The study is based on a case study approach, including field observation, qualitative interviews, biographical records and discourse analysis. The results of the study unfold in four ways: First, the formation of a collective identity is the main characteristic associated with the village of Rot-Front. Second, the role of artifacts play a minor role in memory practices. Third, the individual memory of Rot-Front is idealized by today’s ‘senior’ generation and fourth, the close exchange between those who emigrated and those who stayed is the basis of a transnational social space of Rot-Front, which will exist only as long as the generations have a personal bond with Rot-Front.