Abstract: Straddling the Canada/United States border at its western end is a 67‐foot monument symbolizing 200 years of peace between the two countries. Today, it is frequently used as a site for protest against the state. This article analyzes an environmental protest against energy transmission projects through the Salish Sea by Coast Salish Indigenous nations. I argue that the Coast Salish are using the landscape as a political symbol, effectively erasing the international border that separates them. Their presentation as a unified nation succeeds because of their strategic manipulation of political symbols. Drawing primarily on ethnographic methods, this article demonstrates that the choice of the international park as a site of protest serves as an entry point for Indigenous activists to expand the scope of their position; the border is implicated in the creation of emergent political identities that draw on and transform political symbols. The argument is that the materiality of these political symbols is being used by Indigenous nations and their allies and contributes to theoretical work on settler colonialism as it pertains to the creation, deployment, and analysis of political symbols. The use of political symbols in the borderlands illustrates the shifts in a struggle over power and identity and how they manifest in daily life.





Description: Separating “Old Florida” myths from realities in a tourist haven with a deep Indigenous past. Themes of unspoiled paradise tamed by progress can be seen in stories about pioneer history across the United States, especially in Florida. Selling Vero Beach explores how settlers from northern states created myths about the Indian River area on Florida’s Atlantic Coast, importing ideas about the region’s Indigenous peoples and marketing the land as an idyllic, fertile place of possibilities. In this book, Kristalyn Shefveland describes how in the Gilded Age, Indian River Farms Company and other boosters painted the region as a wild frontier, conveniently accessible by train via Henry Flagler’s East Coast Railway. Shefveland provides an overview of local Aís and Seminole histories that were rewritten by salespeople, illustrates how agricultural companies used Native peoples as motifs on their fruit products, and includes never-before-published letters between Vero Beach entrepreneur Waldo Sexton and writer Zora Neale Hurston that highlight Sexton’s interest in story-spinning and sales. Selling Vero Beach unpacks real and fabricated pasts, showing how the settler memory of Florida distorted or erased the fascinating actual history of the region. With a wide variety of stories invented to lure investors and tourists, many of which circulate to this day in a place that remains a top vacation destination, Vero Beach is an intriguing example of why and how certain pasts were concocted to sell Florida land and products.