Abstract: Following the 1945 signing of the United Nations Charter and the resulting waves of decolonization, projects of public architecture and art increasingly sought to shape conceptions of political community unified under idealized consensus. Yet, in contexts resisting decolonization—specifically, settler colonial contexts—such projects served to perpetuate settler interests, affirming non-existent, incomplete, or unwanted social harmonies. Analyzing public institutional architecture and public art—officially sanctioned works seeking to represent pluralist, humanistic ideals and interpellate collective self-understandings—in three post-WWII settler colonial societies, this dissertation argues that “unity,” “community,” and their contextual avatars supplied not only a logic for spatial design, but also a transnationally traded alibi for the perpetuation of settler power. First, in the former Southern Rhodesia (present-day Zimbabwe), a disingenuous policy of “interracial partnership” permits a White minority to defer Black majority rule, and results in the construction of a circular National Museum that monumentalizes settler archaeology. Second, preaching a doctrine of “oneness,” the Bahá’í religion constructs two monumental devotional buildings—one in the newly-constituted Israel, another in suburban Chicago—as twin base-camps for a global conversion campaign drawn along colonial lines and sustained by settlerism’s strategies of elimination. And third, in Montréal, against violent acts of separatism by Quebec-nationalists, expressions of social and artistic “integration” animate the construction of a massive performing arts complex and the techno-utopian idealism of Expo 67, both founded on Indigenous erasures. In each case, a public byword—respectively, “partnership,” “oneness,” “integration”—operates as a discursive surrogate of unity, channeling the populist appeal of community rhetoric, and shaping a program of cultural-institutional production driven by a complicit settler creative class of architects and artists. Reframing history and political mythology via spatial and iconographic conflations, these projects exhibit the erasures and clefts of settlerism’s eliminationist logic, while at the same time, channeling and repurposing the communitary idealisms associated with postwar modernism. Geographically diverse, but structurally and materially entwined, the three case studies examined here disclose a transnational settler typology of public-institutional architecture and art ostensibly oriented towards reparative notions of unity and community, but pragmatically arranged to forestall decolonial fragmentation.


Abstract: This thesis investigates the history and proceedings of the high-level diversion scheme at Southern Indian Lake. Though the scheme did not become a reality because the Progressive Conservative majority government who championed it dissolved before development began, its proceedings signified South Indian Lake’s first colonial encounter with regards to the Churchill River Diversion. Through the high-level diversion discourse, I argue that Manitoba’s Churchill River Diversion reproduces a social policy which creates Indigenous peoples as an Other and asserts settler dominance. It reproduces settler ideologies and fantasies of personhood, entitlement, and (dis)possession which are constitutive of colonial powers. Moreover, it reproduces hydropower as a nexus for colonial practices and ideologies which undermine Indigenous peoples and their land. Chapter One argues that the low-level diversion at Southern Indian Lake created profound negative environmental and socio-cultural impacts. It aims to place in sharp relief the arguments posited for the high-level scheme by its proponents. Chapter Two argues that Manitoba Hydro agents produced a government-supported narrative of urgency for the high-level diversion which circumvented social and environmental responsibilities towards Indigenous lands and Indigenous peoples. And Chapter Three argues that the Progressive Conservative majority government, of the time, embraced and reproduced technocratic and colonial ideologies to press for the high-level diversion. The Churchill River Diversion is a complex of colonial ideologies, government agents, engineers, and resisting Indigenous communities into a cemented structure which continues to alter hydrologies and humanities.




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Abstract: In May 1862, sixty-five adults and seventy children under twelve years of age left their homes on Fair Isle bound for Canada. Following a carefully orchestrated journey via Westray, Kirkwall, Granton and Glasgow, they boarded the Olympia to cross the Atlantic to St John, New Brunswick, where they were to embark upon building new lives. This article explains how hardship encountered by these families on Fair Isle in 1861 placed them in a situation of impending destitution that encouraged their departure from their native island, located halfway between Orkney and Shetland, and resulted in their resettlement in North America the following year. When emigration was proposed as a solution to their plight, glowing reports of opportunity in New Brunswick provided the ‘pull’ stimulus to counter their desperate situation on Fair Isle. Was the 1862 Fair Isle emigration an act of compassion and concern on the part of sponsors and facilitators? Or was islanders’ growing desperation used as an opportunity to remove the poorest 40% of Fair Isle’s population a decade after that process is widely accepted as having come to an end in the Highlands and islands of Scotland? Correspondence in the lead-up to the emigration of the beleaguered islanders suggests that their departure, while portrayed as benevolent intervention and offering them opportunity in a new land, was accompanied by self-interested agendas on the part of landowners and their agents who facilitated their departure. The article argues that the 1862 Fair Isle emigration was a removal of unwanted families facilitated by ‘assistance’ to them that was couched in language of compassion and concern. Landed interests orchestrated ‘aid’ and engaged in soothing public rhetoric to achieve an end that was ultimately to their own benefit.



Abstract: My dissertation examines relations between Iñupiat in the village of Utqiaġvik on Alaska’s North Slope and a number of non-Iñupiat transient workers who, enticed by generous salaries, have temporarily relocated there. A focus of my study is the North Slope Borough, founded by Iñupiat to preserve their political autonomy and funded by taxes collected on the nearby Prudhoe Bay oil fields. My research tests and refines theoretical frameworks concerning settler colonialism. I draw on political, economic, and environmental literatures in sociocultural anthropology, as well as Native American and Indigenous studies and interdisciplinary settler colonial studies, to show how Iñupiat and non-Iñupiat village residents engage in day-to-day interactions guided by differing economic motivations and different understandings of community, place, and value. By working in an Indigenous community with both Iñupiat and non-Iñupiat, my research adds contemporary, on-the-ground, ethnographic insight into the ways in which individuals’ perspectives and attitudes are shaped by settler colonial ideologies as they are experienced in the present. I explicitly locate the origins of attitudes and dispositions of both non-Iñupiat transient workers and Iñupiat in the settler colonial past, while also tracing how these norms have endured structurally into the present. Long-term participant observation has allowed me to explore the ways in which socio-political norms are felt in, and inform, everyday life. In the first two chapters, I contextualize contemporary transient worker passage through the village within a history of colonial comings and goings to the region initiated by European explorers and Yankee whalers pursuing similar economic goals. I locate Native Alaska, the North Slope, and Utqiaġvik within the legal and political frameworks of United States settler colonialism and demonstrate that contemporary relations among non-Iñupiat transient workers and Alaska Natives are grounded in norms and understandings derived from these frameworks. In the remaining chapters, I describe the findings of my ethnographic research. I detail how many economically motivated transient worker employees at Iḷisaġvik College, a tribal college founded to provide local, culturally informed higher education, socially segregate themselves from the majority-Iñupiat community. I show how their ethical, social, and political commitments to fellow residents and the Arctic landscape are informed by the settler colonial and capitalist ideological structures familiar to them. This puts them at odds with Iñupiat, for whom the ethical and the economic, the individual and the community, are all connected through the Iñupiaq value of sharing and the hunting and community-wide distribution of the bowhead whale.