Abstract: Some historians have used the phrase Americanization of war to describe the process in which Anglo-American settlers adopted or appropriated the military tactics of American Indians. However, both proponents and opponents of the idea of the Americanization of war have focused on the northern colonies. This is likely because the Americanization of war in the colonial period has been closely associated with American rangers, most notably those commanded by Benjamin Church, John Gorham, and Robert Rogers. While these men and the soldiers they commanded are all demonstrative of the Americanization of war, Church, Gorham, and Rogers all conducted operations in New England, New York, and Canada. These studies do not address the unique process of the Americanization of war in the southern colonies. A study of the colonial wars in the South reveals that a process of Americanization of war did take place, although it varied somewhat from that in the North. Unlike their northern counterparts, the settlement patterns of the colonial South produced a ranger that was more inspired by English practices than American Indian tactics. Still, over the course of several colonial wars in the late seventeenth and early eighteenth centuries, the southern ranger became exemplary of the Americanization of war, yet distinct from his northern counterpart. The Americanization of war in the South happened though a complex process that involved trade, hunting, military alliances, slavery, and frontier life. By the mid-eighteenth century, southern rangers reflected the Americanized society that was developing in the colonial South. Ultimately, understanding the distinct process of the Americanization of war in the colonial South is important to understanding southern culture and its exceptional place in American identity.






Abstract: Lionel Fogarty’s difficult, urgent verse is universally accepted as an ‘activist poetry’, yet the very axiomatic nature of this characterisation has ironically obviated critical engagement with Fogarty’s experimentalist poetry as it emerges from specific protest – as a response to, and analysis of, the particular, contemporaneous, shifting injustices faced by Aboriginal people. Proposing to bring the interpretative frame of activism to bear anew upon Fogarty’s work, this essay reads Fogarty’s ‘No Cites like the Cites Hum In’ (‘Written Land’ 2016) as a timely language of judicial and poetic intervention – one itself seeking to intervene on another, restless language of intervention – that of settler lawmaking. It considers how Fogarty’s poem enacts a ‘decolonisative’ critique of the settler poeticisation of toil operationalised by Fortescue Mining Group CEO Andrew Forrest in his 2014 report on Indigenous employment and training programs, ‘Creating Parity’. Fogarty’s poem, it argues, reckons with the centrality of a ‘battlerist’ mythos to the settler-state’s specific, contemporary, neoliberal efforts to not only expropriate Aboriginal land, but also to discipline and pathologise Aboriginal bodies. This essay demonstrates how ‘No Cites like the Cites Hum In’ provides a poignant analysis of the way settler law, time and labour regimes function together to desiccate and enervate the distinct temporal subjectivities underpinning Aboriginal political imaginaries. It contends that a stronger poetic and philosophical appreciation of Fogarty’s verse is gained from understanding it in its relation to extraliterary Aboriginal struggles.