Abstract: Canadian archives arose from and help maintain white supremacist and settler-colonial frameworks. The inequitable power relations that exist in archives and archival practices contribute to the harms done to Indigenous people and communities;1 they do so through the ongoing entrenchment of settler colonialism and the participation in extractive colonialism that occur within the processes of archiving and through the systemic racism that comes along with these processes. This article lays out the beginnings of a theoretical framework for an archival harm-reduction approach for managing records by, about, and for Indigenous people and communities that are held in settler archival institutions and managed by settler archivists. Built upon an explicit acknowledgement of the harm that can occur within archives and through archival practices, and connecting public health harm-reduction concepts with Indigenous scholars’ ideas around relationality and power, this framework conceptualizes a process for shifting archival power by building relationships to ensure that the people and communities that records are about or from whom records originate are meaningfully involved in the stewardship of such records. The core harmreduction concept of involving people and communities as the experts in their own lives (and records) is extended to archival practice – touching on topics such as consent, agency, autonomy, and social justice as well as on practices that are community-based, participatory, and reparative – helping to further articulate a person-centred archival theory and practice and illuminating the fact that settler archives cannot simply redescribe their way out of white supremacy.





Description: The question that this book aims to answer might seem simple: how can a violent project of dispossession and discrimination be imagined, felt, and profoundly believed in as though it were the exact opposite––an embodiment of sustainability, multicultural tolerance, and democratic idealism? Despite well-documented evidence of racism and human rights abuse, Israel has long been embraced by the most liberal sectors of European and American society as a manifestation of the progressive values of tolerance, plurality, inclusivity, and democracy, and hence a project that can be passionately defended for its lofty ideals. Tolerance Is a Wasteland argues that the key to this miraculous act of political alchemy is a very specific form of denial. Here the Palestinian presence in, and claim to, Palestine is not simply refused or covered up, but negated in such a way that the act of denial is itself denied. The effects of destruction and repression are reframed, inverted into affirmations of liberal virtues that can be passionately championed. In Tolerance Is a Wasteland, Saree Makdisi explores many such acts of affirmation and denial in a range of venues: from the haunted landscape of thickly planted forests covering the ruins of Palestinian villages forcibly depopulated in 1948; to the theater of “pinkwashing” as Israel presents itself to the world as a gay-friendly haven of cultural inclusion; to the so-called Museum of Tolerance being built on top of the ruins of a Muslim cemetery in Jerusalem, which was methodically desecrated in order to clear the space for this monument to “human dignity.” Tolerance Is a Wasteland reveals the system of emotional investments and curated perceptions that makes this massive project of cognitive dissonance possible.