Abstract: This article offers a broad and deep discussion of critical issues in the study of language, race, and political economy through an analysis of the verbal art, aesthetics, and performances of South African hip hop artists. In particular, we present an in-depth analysis of the Afrikaaps language movement in Cape Town, South Africa and theorize the language-race-land complex , the range of issues with respect to the co-constitution and refusal of the colonial logics of language, race, and land. Specifically, we address the Afrikaaps language movement in Cape Town, South Africa. Afrikaaps is a South African hiphopera that disrupts white settler colonial logics of language, race, and land through an interrogation and revision of white supremacist constructions of Afrikaans. This reinvention of language, race, and land frees the Afrikaans-speaking, so-called Coloured community from oppressive, colonial logics and offers them new ways of envisioning their linguistic, racial, spatial, and political-economic futures. We argue that, for the artists–activists involved in this decolonial, raciolinguistic movement, Hip Hop becomes a critical vehicle for raising consciousness through language, foregrounding Indigenous knowledge systems, and upending the white supremacist legacies of apartheid through a radical re-education. Methodologically, we center Black and Indigenous artists’ voices, understanding them to be more than cultural producers but also cultural theorists. We draw upon our longitudinal, ethnographic cultural engagement with the Hip Hop artists involved in the theatre production and related forms of language activism.


Abstract: “‘The Indians Say’: Settler Colonialism and the Scientific Study of North America, 1722 to 1848” examines the issue of evidence and credibility within natural history by following the circulation of Indigenous testimony through Anglophone networks of scientific knowledge production. By merging the history of science with Native American and Indigenous studies, this dissertation makes two interrelated arguments: first, that during the eighteenth and early nineteenth centuries information sharing between Indigenous peoples and Anglophone naturalists was both controlled by Indigenous actors and political in nature; and second, that the scientific credibility of Indigenous testimony was informed by colonial ideology and politics. Instead of prevailing scientific norms shaping American settler science, the reverse was true. Using four chronological case studies centered in the early eighteenth-century Carolina piedmont, the late eighteenth-century Eastern Woodlands, the early nineteenth-century Upper Mississippi River valley, and mid nineteenth-century Samoa, this dissertation demonstrates that colonial politics influenced naturalists’ decisions to cite Native American sources. In all four cases, Anglophone naturalists only had access to Indigenous testimony as a result of Indigenous diplomacy and information sharing practices. Moreover in each of these instances, Anglophone naturalists Mark Catesby, Benjamin Smith Barton, John James Audubon, and Titian Ramsay Peale each relied on Indigenous testimony and expertise, but the intellectual value these naturalists ascribed to this same information waxed and waned in direct response to settler colonial Indian policy.


Abstract: One can argue that European colonial consciousness and its actions have caused more harm in the world than any other collective psychology. Grounded in the psychology of C. G. Jung, this research investigates the cultural complexes of white colonial consciousness and the possibility of finding healing for its dysfunctions through the tending of its psychological shadow. This research uses the historical landscape of what is now known as Canada as an example of how colonial consciousness has caused harm over the last half a millennium and how it continues to oppress Indigenous people and degrade the environment of so-called Canada. This research is based on the depth psychological tenet that stories and myths from one’s own ancestry can bring about deep change of perspective, healing and meaning-making. As such, this research investigates the question: how might an alchemical way of imagining into white settler colonial consciousness contribute to its psychological healing and accountability-taking today. Alchemical models emphasize the importance of integrating one’s shadow
material in the journey towards psychological wholeness. In alchemy, the muck of one’s psyche is worked over and over until eventually it is transmuted into the creation of inner gold. Likewise, the healing and transformation of colonial consciousness requires the tending of its most unsavory aspects. This dissertation suggests ways that alchemy provides a model for this undertaking and can lead to the psychological unsettling of the settler shadow today.





Description: Can a sea be a settler? What if it is a sea that exists only in the form of incongruous, head-scratching contradictions: a wetland in a desert, a wildlife refuge that poisons birds, a body of water in which fish suffocate? Traci Brynne Voyles’s history of the Salton Sea examines how settler colonialism restructures physical environments in ways that further Indigenous dispossession, racial capitalism, and degradation of the natural world. In other words, The Settler Sea asks how settler colonialism entraps nature to do settlers’ work for them. The Salton Sea, Southern California’s largest inland body of water, occupies the space between the lush agricultural farmland of the Imperial Valley and the austere desert called “America’s Sahara.” The sea sits near the boundary between the United States and Mexico and lies at the often-contested intersections of the sovereign lands of the Torres Martinez Desert Cahuilla and the state of California. Created in 1905, when overflow from the Colorado River combined with a poorly constructed irrigation system to cause the whole river to flow into the desert, this human-maintained body of water has been considered a looming environmental disaster. The Salton Sea’s very precariousness—the way it sits uncomfortably between worlds, existing always in the interstices of human and natural influences, between desert and wetland, between the skyward pull of the sun and the constant inflow of polluted water—is both a symptom and symbol of the larger precariousness of settler relationships to the environment, in the West and beyond. Voyles provides an innovative exploration of the Salton Sea, looking to the ways the sea, its origins, and its role in human life have been vital to the people who call this region home.


Description: A fascinating deep dive into the colonial roots of the global wine industry. Imperial Wine is a bold, rigorous history of Britain’s surprising role in creating the wine industries of Australia, South Africa, and New Zealand. Here, historian Jennifer Regan-Lefebvre bridges the genres of global commodity history and imperial history, presenting provocative new research in an accessible narrative. This is the first book to argue that today’s global wine industry exists as a result of settler colonialism and that imperialism was central, not incidental, to viticulture in the British colonies. Wineries were established almost immediately after the colonization of South Africa, Australia, and New Zealand as part of a civilizing mission: tidy vines, heavy with fruit, were symbolic of Britain’s subordination of foreign lands. Economically and culturally, nineteenth-century settler winemakers saw the British market as paramount. However, British drinkers were apathetic towards what they pejoratively called “colonial wine.” The tables only began to turn after the First World War, when colonial wines were marketed as cheap and patriotic and started to find their niche among middle- and working-class British drinkers. This trend, combined with social and cultural shifts after the Second World War, laid the foundation for the New World revolution in the 1980s, making Britain into a confirmed country of wine-drinkers and a massive market for New World wines. These New World producers may have only received critical acclaim in the late twentieth century, but Imperial Wine shows that they had spent centuries wooing, and indeed manufacturing, a British market for inexpensive colonial wines. This book is sure to satisfy any curious reader who savors the complex stories behind this commodity chain.