Abstract: Thinking through scholarship at the intersections of anarcha-feminism, settler colonialism, and heteropatriarchy, this paper uses the Michigan Womyn’s Music Festival (MichFest) as a case study to examine how settler rural imaginaries are mobilized to reify settler and cis hierarchies. The two imaginaries of interest – “safety in the woods” and “Nature is [cis] female” – rely on settler legacies: the first is derived from the emptiness created by settler state violence and Indigenous displacement, and the second is a reproduction of settler sexuality. To understand how these imaginaries surfaced at MichFest, I analyze online media created around the time of MichFest’s closing. Given the blame of MichFest’s closing was often placed on the issue of trans-exclusion, blog posts and opinion pieces around this time serve as a small sample of the trans-exclusionary rhetoric found at MichFest that reproduced these imaginaries. Most of the texts address concerns about trans-inclusion leading to sexual assault, creating an implicit connection between women’s fears and cis fears. The discourse around this time reproduced the wilderness of MichFest as a cis women’s landscape, constructing the land as a cis woman. In using these two imaginaries, women at MichFest are producing a cis women’s landscape that relies on the exclusion of both Indigenous and trans people, reproducing settler and cis dominance.





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Description: The New White Race traces the development of the press in Algeria between 1860 and 1914, examining the particular role of journalists in shaping the power dynamics of settler colonialism. Constrained in different ways by the limitations imposed on free expression in a colonial context, diverse groups of European settlers, Algerian Muslims, and Algerian Jews nevertheless turned to the press to articulate their hopes and fears for the future of the land they inhabited and to imagine forms of community which would continue to influence political debates until the Algerian War. The frontiers of these imagined communities did not necessarily correlate with those of the nation—either French or Algerian—but framed processes of identification that were at once local, national, and transnational. The New White Race explores these processes of cultural and political identification, highlighting the production practices, professional networks, and strategic-linguistic choices mobilized by journalists as they sought to influence the sentiments of their readers and the decisions of the French state. Announcing the creation of a “new white race” among the mixed European population of Algeria, settler journalists hoped to increase the autonomy of the settler colony without forgoing the protections afforded by their French rulers. Their ambivalent expressions of “French” belonging, however, reflected tensions among the colonizers; these tensions were ably exploited by those who sought to transform or contest French imperial rule.