Abstract: In this introduction to the special issue, we examine some of the ways that settler colonialism permeates archaeology in Canada and argue for unsettling approaches to archaeology. Archaeology is a product of and remains a tool for settler colonialism, often oppressing both people of the past and people in the present, especially Indigenous People, Black People, People of Colour, and LGBTQ2S+ community members. We call for unsettling research paradigms, which aim to disrupt the settler colonial foundations that continue to permeate archaeological work and ensure that it benefits only a select few. Unsettling approaches target not only the work we do as archaeologists, but also the structures our work operates through, including universities, museums, different levels of government, and heritage policy and legislation governing private sector archaeology. They require us to acknowledge and confront our relationships to settler colonialism and the ways we participate in it, in all aspects of our lives. Unsettling paradigms play out differently within each project and for each participant, depending on individuals’ unique relationships to settler colonialism, their own experiences, and the context. As illustrated in the papers in this special issue, they encompass themes of truth, listening, learning, feeling, relinquishing control, and building strong futures. To move towards an archaeology that is anti-colonial, anti-racist, and anti-mysogynist, we must address the deeply embedded colonialism, racism, and misogyny in Canadian settler colonial structures and society. We must start by addressing them within ourselves and the institutions that govern and support our work. Because the unequal power relations within archaeology are so entrenched and pervasive, change may come slowly. It will involve long-term commitment to an ongoing cycle of learning, feeling (particularly when we feel uncomfortable), questioning, and most importantly, acting.



Description: In the 1860s and 1870s, the United States government forced most western Native Americans to settle on reservations. These ever-shrinking pieces of land were meant to relocate, contain, and separate these Native peoples, isolating them from one another and from the white populations coursing through the plains. We Do Not Want the Gates Closed Between Us tells the story of how Native Americans resisted this effort by building vast intertribal networks of communication, threaded together by letter writing and off-reservation visiting.

Faced with the consequences of U.S. colonialism—the constraints, population loss, and destitution—Native Americans, far from passively accepting their fate, mobilized to control their own sources of information, spread and reinforce ideas, and collectively discuss and mount resistance against onerous government policies. Justin Gage traces these efforts, drawing on extensive new evidence, including more than one hundred letters written by nineteenth-century Native Americans. His work shows how Lakotas, Cheyennes, Utes, Shoshones, Kiowas, and dozens of other western tribal nations shrewdly used the U.S. government’s repressive education system and mechanisms of American settler colonialism, notably the railroads and the Postal Service, to achieve their own ends. Thus Natives used literacy, a primary tool of assimilation for U.S. policymakers, to decolonize their lives much earlier than historians have noted.

Whereas previous histories have assumed that the Ghost Dance itself was responsible for the creation of brand-new networks among western tribes, this book suggests that the intertribal networks formed in the 1870s and 1880s actually facilitated the rapid dissemination of the Ghost Dance in 1889 and 1890. Documenting the evolution and operation of intertribal networking, Gage demonstrates its effectiveness—and recognizes for the first time how, through Native activism, long-distance, intercultural communication persisted in the colonized American West.




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Abstract: In this dissertation I consider how listening to music produced by Indigenous peoples might convince settler listeners to surrender settler states of mind. I focus on the elements of settler colonialism that are exemplified in and challenged by the experiences of listening to music produced by Indigenous peoples. I focus on these aesthetic encounters as a way of exposing the everyday presence and power of settler states of mind and, more importantly, exploring how settlers might go about rebuilding states of mind through these moments of aesthetic surrender that are spurred by embodied experiences of sound. My project builds on the work of writers, theorists, and musicians such as African American writer James Baldwin, Michi Saagiig Nishnaabeg scholar, writer, and artist Leanne Simpson, and Stó:lō scholar Dylan Robinson. I think about what it means to listen cross-culturally in the context of ongoing settler colonialism in North America (Turtle Island) and increased rhetoric around “reconciliation” in response to the conclusion of the Truth and Reconciliation Commission of Canada (TRC) in 2015. I speak to the intimate level of listening to music from across cultures in this dissertation so that settlers might begin to engage in a critical self-reflection necessary for the rebuilding of settler states of mind—a reflection that involves a sense of surrender that requires settlers to learn how to participate in new worlds opened and led by various Indigenous peoples and nations.



Abstract: Native people under colonial rule have suffered a multitude of human rights abuses throughout history. The human rights community has attempted to address this by granting colonised peoples self-determination, in addition to creating international laws that seek to prevent and punish the mistreatment of vulnerable people more broadly. However, a growing number of scholars have argued that international human rights law not only fails to sufficiently account for abuses that continue to be perpetrated against native peoples, but also, by doing so, actively contributes to their marginalisation. I will follow this academic trajectory, and will argue that the Genocide Convention specifically, was constructed in accordance with the vested interests of colonial powers. The resulting definition of genocide omitted acts occurring to native people, such as ethnic cleansing and forced assimilation, as it suited the political agendas of colonial countries. I will challenge this position and assert that if genocide is to be understood as the destruction of the group, rather than its individual constituent parts, then any action designed to intentionally decimate the group, (as a metaphysical entity existing beyond its human participants), should be considered genocidal. More specifically, non-lethal methods, often referred to as cultural genocide, should be included in the Genocide Convention. I will contextualise this argument within Palestine and apply a settler-colonial lens to the engagement between the Israeli State and the Palestinian people. I will argue that settler-colonisation has an intrinsically genocidal dimension; it follows therefore that the treatment of the Palestinians by the Israeli State can be plausibly considered. It will be concluded that if international human rights law is to effectively protect vulnerable communities from human rights abuses, such as genocide, it needs to be consistently evaluated and reconsidered from a multitude of perspectives.