Description: In 2007, the Department of Homeland Security began condemnation proceedings on the property of Dr. Eloisa Tamez, a Lipan Apache (Ndé) professor, veteran, and title holder to land in South Texas deeded to her ancestors under the colonial occupation and rule of King Charles III of Spain in 1761, during a time when Indigenous lands were largely taken and exploited by Spanish colonizers. Crown grants of lands to Indigenous peoples afforded them the opportunity to reclaim Indigenous title and control. The federal government wanted Tamez’s land to build a portion of the “border wall” on the U.S.-Mexico border. She refused. In 2008, the Department of Homeland Security sued her, but she countersued based on Aboriginal land rights, Indigenous inherent rights, the land grant from Spain, and human rights. This standoff continued for years, until the U.S. government forced Tamez to forfeit land for the wall. In response, Dr. Eloisa Tamez and her daughter, Dr. Margo Tamez, organized a gathering of Lipan tribal members, activists, lawyers, and allies to meet in El Calaboz, South Texas. This gathering was a response to the appropriation of the Tamez family land, but it also provided an international platform to dispute the militarization of Indigenous territory throughout the U.S.-Mexico bordered lands. The gathering and years of ensuing resistance and activism produced an archive of scholarly analyses, testimonios, artwork, legal briefs, poetry, and other cultural productions.  This unique collection spotlights powerful voices and perspectives from Ndé leaders, Indigenous elders, settler-allies, Native youth, and others associated with the Tamez family, the Ndé defiance, and the larger Indigenous rights movement to document their resistance; expose, confront, and end racism and militarization; and to foreground Indigenous women–led struggles for justice.








Abstract: In the late nineteenth century, following the conclusion of the New Zealand Wars of the 1860s, settler society in Aotearoa undertook a political economic project aimed at intensifying and consolidating the local settler colonial project. In doing so, the 1870s were marked by metabolic explosion: the systematic, temporally compressed, and politically driven transformation of environment, ecology, energy, landscape, political economy, and society in the archipelago. In their attempt to consolidate settler colonialism, Pākehā society thus became inheritors of the British fossil economy, and the varying political economic and environmental practices they adopted combined to form a metabolic feedback loop of dizzying complexity and simultaneity. This thesis examines how Pākehā society understood ecology, defined broadly as a set of discourses concerning collective human relations to nature and ideas about the relationship between species. Adopting a cultural materialist approach centered upon the relationship between metabolic explosion, settler colonialism, and discourse, this thesis delivers a critical assessment of the structure and politics of Pākehā ecological discourse in late nineteenth-century New Zealand. Using actors’ categories provided by William Pember Reeves’ 1898 history, The Long White Cloud, it finds that these discourses assumed a dialectical structure. The “thesis” valourized colonization by understanding the archipelago as “void space,” meant to be filled by foreign flora, fauna, and people. The “antithesis” bemoaned the ruinous and ecocidal character of Pākehā settlement, with the effect of influencing early and often unsuccessful attempts at forest preservation. The “synthesis,” emerging out of Darwinian natural history, was an ambivalent utilitarianism, overdetermined by metabolic explosion and the cultural logic of settler colonialism and which precluded any truly radical critique of Pākehā environmental and ecological transformation. Despite the supersession of this thinking by the early twentieth century, a similar utilitarian ambivalence has marked popular discourse about the environment and ecology in the Occident and beyond throughout the twentieth and twenty-first centuries.