Abstract: This theoretically based thesis employs a critical feminist analysis to examine the gendered aspects inherent in the implementation of private property on Indigenous reserve land in Canada. Although Indigenous peoples in Canada have previously rejected privatization of their reserve lands for fear of assimilation of their traditional lands to market-based commodification and rationalities, as well as fragmentation and reduction of their traditional land base, versions of privatization policies continue to be advocated by some government officials, think tanks, scholars, and a small but significant number of Indigenous peoples themselves. With the Canadian governmental shifts to neoliberal socioeconomic policies converging, in some ways, with Indigenous demands for more self-determination, it is foreseeable that both the anxiety and appeal of privatization of Indigenous reserve lands will resurface. Recent advocates of privatization of reserve lands present it as necessary for unlocking the market value of dead capital in land leading to investment certainty thereby unleashing an entrepreneurial “spirit” leading to prosperity. The neoliberal ideological linkage of private property to purportedly emancipatory entrepreneurialism is depoliticized from historical and ongoing gendered and racial colonialism. Settler colonial dispossession of Indigenous women from their traditional relationships to land and labour, coupled with current growing expectations of women as participants in entrepreneurialism, has inspired the main question of the thesis as: How does the contemporary rationalization of private property for First Nations reserve land operate as a gendered tool of dispossession for Indigenous women? To answer this question, this thesis uses an interdisciplinary socio-political lens to interrogate the First Nations Private Property Ownership Act (FNPOA) as a contemporary example of Indigenous land privatization policy. It is argued that the logic underlying the policy, including entrepreneurialism as dependent on private property, along with gender-blind historical revisionism, operates to erase and obscure not only the historical colonial dispossession of Indigenous women but also the current carceral mechanisms in capitalism that work to maintain the heteropatriarchal settler state status quo. The thesis employs an interdisciplinary framework drawing on Indigenous feminist theory and carceral geography, historicizing historical and anthropological research to elucidate how past dispossession is still operational in the contemporary state. This critical feminist analysis unsettles the common sense of private property and contributes to feminist engagement with settler colonial studies.





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Abstract: From 1910-1920, the Mexican Revolution became a source of anxiety, interest, and inspiration to those who paid attention to its political turmoil as reported in the popular press. It would lead to the reinvigorating of a debate about U.S. intervention in the political affairs of Mexico, indeed, for some, the question was one of annexation. Responding to a growing imperialist culture in the U.S., William Carlos Williams, Gertrude Stein, John Reed and Max Eastman of The Masses were among those who looked to modernist aesthetic practice to critique military and economic expansionism in Mexico.

This dissertation explores that discursive interplay between U.S. modernism and anti-imperialism through representations of the Mexican Revolution (1910-1920), in writing itself conceptualized as “revolutionary.” While the writers that I take up in this study each, though in different ways, represented Mexico as a site of revolutionary modernity that points to a shared, transnational cultural affinity toward constructions of “the new” as the basis of an anti-imperialist politics, each also, confronts in their writing the disrupting presence of the American Indian within this anti-imperialist vision. Each of these writers in their own way explicitly connects an interest in the aesthetics of the “new” with the colonial history of the “New World.”

At the same time, they register self-consciously in their texts the contradiction of using an anti-imperialist discourse to consolidate national identity in the face of ongoing settler colonialism: the appropriation and occupation of native land, the genocide of native peoples, and the erasure of native culture. In key texts about Mexico written by Stein, Williams, Reed, and Eastman, references to a history of U.S. settler colonialism and the presence of the American Indian emerge as a limit to their anti-imperialist poetics and a challenge to their desires for the construction of a “new,” modernist national culture.