Abstract: This dissertation project serves as an inquiry into Canadian representational practices and discourses surrounding colonialism, wilderness, nature and nationhood. The written thesis presented here is part of a multidisciplinary project that also comprised of an art exhibition held at Western’s McIntosh Gallery, from June 3rd to Junes 25th, 2016. This paper, alongside the drawing, sculpture, and videos created for my exhibition, examine depictions of nature and nation in Canada through an analysis of antimodernism, primitivism, and a seeking of the spiritual connected to constructions of “white wilderness” and the spatial imaginary of Canada’s colonial frontier. This paper also explores ways in which decolonial art and theory seeks to challenge those same configurations of identity and power, including the development of settler-based decolonizing strategies aimed at unsettling dominant political and cultural narratives.

Specifically in relation to my own art practice, this means challenging the enduring colonial legacies of Canada’s settler past and the contemporary representational practices that continue to privilege and empower colonial constructions of space and place. This
dissertation project proposes a collaborative-based research practice that operates in relation to issues of the local, domestic, and lived practices of people and their interaction with the environment. As such, this paper examines mainstream articulations of nature and nation in Canada through historicized interpretations of dominant Settler/First Nation narratives and demonstrates how an understanding of this history becomes vitally important when trying to achieve performative, transformative, and collaborative understandings of the colonial experience that continues to define life in Canada.


This piece discusses Jeremy Campbell’s Conjuring Property: Speculation and Environmental Futures in the Brazilian Amazon (Seattle, WA: University of Washington Press, 2015).








Abstract: Drawing on the traditions and perspectives of ethnic studies, history and anthropology, I examine historical roots of U.S. settler colonialism and how they shape contemporary tribal issues in the U.S. Driven by the forces of territoriality and occupation, colonial strategies and derivative mechanisms have fostered misconceptions about the unique socio-political status of tribal nations and, in turn, prompted a range of responses within Indigenous communities. Deconstructive analysis of works by non-Native and Indigenous scholars illuminates settler colonialism’s historical formation and lasting legacies. Tracing Indian responses and resistance reveals an extensive history of Indigenous perseverance that traces back 600 years and continues into the present day.

Two broad issues occupy the analysis: 1) U.S. colonial policy with its racializing legacy of “blood quanta” established during the Allotment Era in the late 1800s extends into present-day controversies surrounding eligibility requirements for tribal membership, and 2) varied colonial assaults on Indigenous cultural landscapes threaten traditional land-use treaty rights for hunting, fishing, and gathering on Indian, federal, and public lands, continuing to facilitate colonial strategies of appropriation, assimilation, and elimination that began as early as the 1600s.

I conclude this project with a contemporary example of strategic Indigenous agency by Colorado Southern Utes against U.S. settler colonial normalization and subjugation followed by valuable insights from Pawnee attorney, activist, tribal judge, and author, Walter Echo-Hawk. Final closing remarks punctuate the imperative of educating the non-Native public to recognize and acknowledge the role of settler colonialism in major contemporary tribal issues in order to clarify misconceptions, promote understanding, facilitate intercommunications, and encourage future collaboration with Indigenous nations in U.S. society.