Sooner or later, you have to say no.



Abstract: The scholarly attention that has hitherto been devoted to discussion of Japan’s Junior High School History Textbooks (JJHSHT) has tended to focus almost exclusively on their treatment of the colonisation of Korea and China. Indeed, it appears that the issue of the JJHSHT’s description of the Japanese government’s imperialist ventures in East and South-East Asia has almost completely eclipsed that of these same textbooks’ coverage of the Meiji government’s colonisation of Hokkaidō. This paper then seeks to address one of the most blatant, but least discussed, examples of “victor’s history” concerning Japan—namely, what the JJHSHT euphemistically dub the ‘development’ of Hokkaidō. A textual analysis of all eight government-approved JJHSHT yields interesting results: first, it reveals that they exhibit a degree of variation in their treatment of this subject that is perhaps not commonly associated with these textbooks; and secondly, it exposes both a repeated emphasis on ‘development’ to describe what was in fact colonization, and also a consistent pattern of ignoring, or severely underplaying, the extremely detrimental impact this process had on the indigenous Ainu who experienced it. Indeed, the JJHSHT’s reluctance to heed the alternative perspectives of the minority Ainu fosters historical amnesia by producing historiographies of oblivion, and constitutes a classic example of cultural imperialism. The result is a highly sanitised version of events which substitutes historical reality for a contrived, cosmetic narrative of ‘development’ that lends a veneer of legitimacy to what was in effect plunder. Consequently, what Japanese pupils are being exposed to is a partial, ‘official’ version of history, rather than a nuanced account that finds resonance with the perspective of the Ainu, the testimony of contemporary Japanese eyewitnesses, or the historical narrative produced by modern scholarship.


Abstract: This dissertation examines voluntary mobilization during the First World War to understand why communities on the social and geographical periphery of the British Empire mobilized themselves so enthusiastically to support a distant war, fought for a distant empire. Lacking a strong state apparatus or a military-industrial complex, the governments of Australia, Canada, and New Zealand relied on voluntary contributions to sustain their war efforts. Community-based voluntary societies knitted socks, raised funds to purchase military equipment, and formed contingents of soldiers. By examining the selective mobilization of voluntary participation, this study will understand how different communities negotiated social and spatial boundaries as they attempted to project their communal identity through wartime patriotism.

The process of voluntary mobilization allowed communities to organize their efforts in a manner that reflected and projected their collective identity. By deciding the scale and scope of voluntary efforts, controlling who was included or excluded in these efforts, advertising the community’s achievements, regulating who would benefit from these contributions, the organizers of voluntary patriotic work determined how these efforts would fit into the national and imperial war effort. The records and
correspondence detailing the coordination of voluntary contributions reveal the terms by which communities defined themselves through their patriotic efforts.

Yet the extent to which communities could project their identity through their voluntary contributions was mediated by dominion governments, which authorized and accepted voluntary efforts. State authorities determined which communities could mobilize independently, which should be mobilized into an existing effort, and which communities should be prevented from contributing to the war altogether. A comparative study of mobilization in Australia, Canada, and New Zealand will reveal how categories of space, ethnicity, and race factored both in the constructions and negotiations of communal identities, as well as the effacement of marginalized communities.



Description: “A nuanced narrative of Anglo-Native interactions in the early years of British colonialism. Jeffrey Glover crafts a persuasive story that draws on much of the best historical work, and rigorously avoids romanticizing (or demonizing) any of the involved parties, showing how indigenous leaders used the tools and strategies available to them to advance their individual and communal interests.”—Sandra M. Gustafson, University of Notre Dame

In many accounts of Native American history, treaties are synonymous with tragedy. From the beginnings of settlement, Europeans made and broke treaties, often exploiting Native American lack of alphabetic literacy to manipulate political negotiation. But while colonial dealings had devastating results for Native people, treaty making and breaking involved struggles more complex than any simple contest between invaders and victims. The early colonists were often compelled to negotiate on Indian terms, and treaties took a bewildering array of shapes ranging from rituals to gestures to pictographs. At the same time, Jeffrey Glover demonstrates, treaties were international events, scrutinized by faraway European audiences and framed against a background of English, Spanish, French, and Dutch imperial rivalries.

To establish the meaning of their agreements, colonists and Natives adapted and invented many new kinds of political representation, combining rituals from tribal, national, and religious traditions. Drawing on an archive that includes written documents, printed books, orations, landscape markings, wampum beads, tally sticks, and other technologies of political accounting, Glover examines the powerful influence of treaty making along the vibrant and multicultural Atlantic coast of the seventeenth century.


Abstract: Settler colonialism involved joint processes of destruction and substitution by which colonists set out to replace indigenous worlds with European/western worlds. But indigenous worlds continue to exist in numerous spaces, moments and interactions where distinct ontologies and ways of being-in-the-world persist. In Aotearoa New Zealand these spaces of the indigenous/Māori world are largely invisible to the mainstream settler society, persisting most obviously on marae, the complex of buildings located on Māori land that are at the heart of community life. Māori and western worlds also briefly come together in public contexts where Māori protocols are used to mark openings of various sorts, temporarily governing public space and sociability. In this paper I explore a different case where, I argue, Māori and western worlds are entangled or knotted together in the atrium space of a community building in a small rural community. In this atrium stand a circle of seven carved posts (pou), each representing one of the seven peoples of the community – five Māori tribes, Pākehā (settlers) and Dalmatians (descendants of migrants from Croatia). With reference to work on indigenous ontologies, new materialism and Lévinasian ethics, I follow various threads of how these pou do more than simply mark the identity and belonging of each of these peoples, but entangle Māori and western worlds. The pou enact a reclamation of public space for Māori, long marginalized within the community. More profoundly they bring Māori ontology into the building, an ontology with its own space-time relationality evident when Māori address the ancestors carved on the pou. Finally, the co-existence of Māori and western ontologies is a provocation to the non-Māori community to consider their own relationship to the Māori world, a provocation I explore by considering what it means to have one of my own ancestors carved on the Pākehā pou.



The review.