Call for papers: Over the past decade, settler colonial studies has made a broad intervention in the study of US history and culture by considering comparative frontier processes in settler societies around the globe. One arena where settler colonial studies has yet to make significant inroads, however, is in the interpretation of the Western, arguably the most important cultural vehicle through which US and global cultures have mythologized and critiqued the frontier.

On this panel, we will work to relate the genre that is the most globally recognized production of Western American culture to the theoretical conversation that works to contextualize Westward expansion in a comparative global context. In so doing, we hope not only to ask what settler colonial studies can teach us about the Western, but also what the Western can teach us about settler colonialism. Among the questions we hope to explore as we examine the Western in literature and film are:

  • How does the claim, made by many settler colonial studies scholars, that the frontier is a transnational phenomenon rather than a category exclusive to American exceptionalism alter our reading of classic Westerns?
  • What can “Spaghetti Westerns,” “Indo Westerns,” “Osterns” and other Westerns produced in non-settler societies reveal about the impact of settler colonial political forms in these locales?
  • How can we relate the separate discussions regarding liberalism and violence now circulating in settler colonial studies and in scholarship on the Western?
  • How can readings of Western literature and film enrich the ongoing discussions regarding neoliberalism and the history of settlerism?

Lorenzo Veracini, Swinburne University of Technology, Melbourne, Australia. Lorenzo’s research focuses on the comparative history of colonial systems and settler colonialism. He has authored Israel and Settler Society (2006) Settler Colonialism: A Theoretical Overview (2010), and The Settler Colonial Present (2015). Lorenzo is managing editor of Settler Colonial Studies. Contact Lorenzo at: lveracini@swin.edu.au

Alex Trimble Young, University of Southern California. Alex is a Preceptor in Dornsife College, where he teaches American literature. He is currently at work on a book manuscript tentatively entitled Let Us Fake Out A Frontier: Dissent and The Settler Colonial Imaginary in US Literature After 1945. His most recent article, “The Settler Unchained: Constituent Power and Settler Violence,” is forthcoming in Social Text this May. Contact Alex at: alex.trimble@gmail.com







Abstract: This thesis takes issue with the way that heritage is managed in New Zealand. It contends that New Zealand’s post-Treaty settlement environment, with its significant resource transfers and cultural redress for Māori, is exposing the need to move beyond the entrenched nature/settler/indigenous compartments that have so far dominated heritage management. It advocates that New Zealand needs to embrace a heritage management system that is open to networks that flow between natural and cultural heritage values.

‘Cultural landscapes’ is nominated as the conceptual tool to promote a more integrated heritage management approach. Yet, rather than seeing cultural landscapes as a way to shed light on a simplistic nature/culture binary, my analysis works to take the concept of cultural landscapes further than the heritage scholarship has done so far. Social systems theory is employed to interrogate how this concept is translated from a way of ‘thinking’ about heritage values, to how it is employed in the ‘doing’ of heritage practice. This body of theory allows me to frame a ‘cultural landscapes approach’ as a way of building a link between the realm of ideas around the concept of cultural landscapes, to its incorporation into the realms of policy and practice of heritage management. Thus this method of enquiry enables me to draw attention to how a visual focus on tangible forms and structures has dominated the way that the concept of cultural landscapes has w idely been considered, and how the ‘more-than-representational’ might open cultural landscapes up to the realities of the ‘contact zones’ of post-settler societies.

This thesis begins on a small island in New Zealand and journeys to Australia, the United States of America, and Canada, to investigate cultural landscapes approaches in action in these countries with similar colonial legacies. The research project follows a constructionist interpretive approach, with ethnographic methods, employing semi-structured interviews to learn from those who work in herit age management at each of the case study locations. The narrative returns to consider why New Zealand, the country where Tongariro National Park was listed as the first World Heritage associative landscape, has not disseminated a cultural landscapes approach for heritage management as widely as these other settler countries. From there the thesis recommends a cultural landscapes approach for heritage management in New Zealand.