Abstract: There has been a growing debate within the broad field of postcolonial scholarship which seeks to challenge both its territorial boundaries with the advent of globalization and its limitations when applied to the realm of white-settler societies. The debate has been extremely fruitful in situating emerging scholarship that seeks to extend postcoloniality, its theoretical framing, and the internal processes of social categorization for peoples caught within the nation-state’s territorial sphere. Unfortunately, disability and indigeneity remain largely absent from these fresh debates; or when included, are explored as singular fields of analytical inquiry with little intersectional dialogue. With this paper, I aim to extend these nascent debates by critically engaging with both disability and indigeneity as two interlocking sites of (post)colonial nation-state power. To explicate this argument, my analysis focuses on a key historical moment in the Australian experience – the formation of the colonial white-settler society of Australia in its early years (1901–1920s), comparing and contrasting the systems of administrative management of disability and indigeneity. In doing so, the paper reveals the deep materialities of white, able-bodied, masculine, (post)colonial settler rule that bring together disability and indigeneity via gender reproductive controls. The conclusion reflects on the transformative effects of managing transgressive bodies and minds under the white able-bodied settler state and the potential this opens to negotiate practices of solidarity.









Abstract: This paper argues that non-Indigenous ideas of Indigenous alterity shape and are shaped by processes that render Indigeneity spectacular and/or spectral. In Vancouver, BC, the urban centre of the Northwest Coast and ancestral homeland of the Coast Salish people, performances, art, and other forms of display are experienced by non-Indigenous people as spectacles: cultural not political, visual not otherwise sensorial, passively observed not participatory. And Indigeneity also haunts; despite dispossession, erasure, and displacement, Indigenous people return again and again to exercise their sovereignty and refuse conditions of disappearance and display. This revenant spectrality combined with spectacular representation creates a complex structure of feeling in the city. I suggest that, for non-Indigenous people, these conditions produce a holographic Indigeneity: hyper-visible from some angles, invisible from others; constantly present even in moments of apparent absence. Drawing on urban ethnographic research with non-Indigenous subjects, I use the socio-spatial cases of Stanley Park’s totem poles and the Downtown Eastside’s social marginalization to exemplify how spectacular/spectral dynamics characterize and sustain settler colonial logics in a city decorated with Northwest Coast art, haunted by legacies of colonialism, and uncertain about the future of Indigenous/non-Indigenous relations. I argue that conditions of spectacle and spectrality must be identified and transgressed to reimagine a different future.