Biopolitics – Geopolitics – Sovereignty – Life:  Settler Colonialisms and Indigenous Presences in North America

Organizers: Dr. René Dietrich (Mainz), Prof. Dr. Kerstin Knopf (Bremen)

Funded by the German Research Foundation (DFG)

This conference takes issue with biopolitics and geopolitics in the settler nation-states of North America, executed through continuing techniques of dispossession and surveillance of Indigenous populations, as well as with corresponding forms of sovereignty, agency, and life exercised in the matrix of biopower.

Biopolitical attempts to regulate Indigenous peoples – via removal, assimilation, education, administration, representation, genealogical politics, surveillance and disciplinary regimes – subject Indigenous nations to settler colonial rule by depoliticizing them. Biopolitical practices act towards Indigenous nations not as sovereign political entities in their own right, but subsume them under the imaginary racialized population of ‘Indians’ that is mainly defined through its separation from the settlers’ body politic proper. At the same time, Morgan Brigg’s concept of ‘terrapolitics’ and Mark Rifkin’s concept of ‘bare habitance’ have crucially pointed out that discussions of settler colonial biopolitics of racialization and regulation should not come at the expense of geopolitics of dispossession and removal. In this light, recent interrogations of settler colonial violence against Indigenous lands and lives in the production of colonial space in the U.S. and Canada (Mishuana Goeman) and the employment of “Indianness” for the transit of U.S. empire (Jodi Byrd) manifest the link between theories of bio- and geopolitics as an integral instrument to critique settler colonial techniques and practices.

Life itself, however, was less in the focus of critical inquiry. Putting forth that life is situated at a crucial junction between bio- and geopolitics, this conference wants to advance recent work by exploring and theorizing the different politics and epistemologies (concepts, forms, knowledges) of life in settler and Indigenous contexts in relation to bio- and geopolitical practices. It seeks to investigate how these can help to formulate ‘life’ as a category for political analysis and critique in settler-Indigenous relations, in evolving formations of sovereignty and agency, and in the struggle for decolonization.

We thus invite scholars of various disciplines engaged in these issues to discuss how an in-depth exploration of ‘life’ as a critical concept and political category in the tension between bio- and geopolitical practices and Indigenous forms of sovereignty and agency helps to further illuminate the complex, contested and still largely asymmetrical relations and interactions between settler colonialisms and Indigenous presences in North America.

Confirmed speakers include: Mishuana Goeman (U of California), Mark Rifkin (U of North Carolina), Andrea Smith (U of California), Michael R. Griffiths (U of Wollongong), Robert Nichols (U of Minnesota), Audra Simpson (Columbia), Brian Hudson (U of Oklahoma), Sandy Grande (Connecticut College), Jaqueline Fear-Segal (U of East Anglia)

For further information see: http://www.blogs.uni-mainz.de/fb05-indigstudiesconf/

For any questions please contact: dietricr@uni-mainz.de, kknopf@uni-bremen.de


Description: In the nineteenth century, as the Russian empire expanded eastwards and the Japanese empire expanded onto the Asian continent, the Russo-Japanese border became contested on and around the island of Sakhalin, its Russian name, or Karafuto, as it is known in Japanese. Then in the wake of the Second World War, Russia seized control of the island and the Japanese inhabitants were deported. Sakhalin’s history as a border zone makes it a lynchpin of Russo-Japanese relations, and as such it is a rich case study for exploring the key themes of this book: life in the borderlands, migration, repatriation, historical memory, multiculturalism and identity.







Abstract: Focusing on the uses of interactive and immersive technologies in Canadian exhibits from 1967 to the present, this dissertation investigates how embodied rites of cultural citizenship summon subjects to interface with nation and heritage in supposedly postcolonial and multicultural frameworks. The technologies I examine encompass the diverse processes and materials that render abstract notions of nation, heritage and citizenship into tangible archives that we encounter directly through our bodies. The first chapter centres on Iris Häussler’s immersive installation, He Named Her Amber, staged in Toronto’s historic Grange manor in 2008. This work elucidates the processes through which settler colonial history is rebranded through neoliberal Creative City discourses, and the audience is affectively positioned as naturalized settler who, unlike displaced Indigenous communities, is endowed with the right to occupy the home. Following this, the National Gallery of Canada’s introduction of the audio guide for its monumental 1967 Centennial exhibit provides the historical context from which to investigate the celebration and consecration of Canada’s technological modernity. This chapter analyzes how the construction of an interactive art-historical audio-scape facilitated the citizen’s entrance into national modernity through technological access and participation. The next chapter surveys the implementation of digital touchscreens at UBC’s Museum of Anthropology, arguing that the expanded haptic interface is drafted as both material and rhetorical apparatus to strategically proclaim inclusive, multicultural paradigms. Concurrently, this interface reveals the very limits of interaction, and the paradoxes of the liberal public sphere. Lastly, the dissertation turns to the visitor-generated projections at Head-Smashed-In Buffalo Jump (a UNESCO World Heritage Site in Alberta) in order to illustrate how motion-sensored, phantasmagoric projections work to locate but also unsettle the visitor’s body within official national—and “universal”—heritage frameworks. Here, I demonstrate how cultural citizenship is secured through the substantiating buttresses of heritage and archaeology, which emplace the visitor within an “ancient” landscape and narratology of nation which depends on inscription as much as erasure. Ultimately, this dissertation argues that these technological overtures of nation facilitate the everyday, quotidian encounters with violence which seduce subjects into—and out of—narratives of belonging.