Abstract: The modern zombie is a horror story of the many-headed processes of land conquest, dehumanization, and production of surplus populations. It is argued that the zombie always bore the fate of at least two positions of subjection that trouble dominant class-based analytics: namely, the African and the Indigenous slave. From the plantations of Haiti, to Auschwitz, and eventually to today’s Palestine, this article follows a different figure of the zombie in a cultural analysis of its history and a critique of its popular culture representations, focusing on land conquest and erasure in capitalism. From the 20th century onward, a white (genocidal) gaze eventually turned the zombie myth into a flesh/meateating figure, roaming the land without direction and in need of cleansing from the earth. Understanding popular representations of the Haitian zombie myth as enslaved and erased history, however, hints at today’s cultural re-productions of civilizational erasure and land conquest, war and surplus populations, and a “clean slate” paradigm to create “New World” fantasies. In this essay, Haiti, Auschwitz, and Palestine will be treated as sites of Indigenous struggles against settler-colonial ideology and genocide. This article argues that incorporation into modern (racial) capitalism and its (warring) violence made the zombie appear everywhere.