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« Toxic, toxic settler colonialism: Federico Andrade-Rivas, Reza Afshari, Annalee Yassi, ‘“Low-Dose, Long-Term” Toxic Exposures Among “Indigenous Peoples in Canada”: Impacts of Inequality, Environmental Health Challenges, and the Need for a Comprehensive Approach’, Asia Pacific Journal of Medical Toxicology, 2025
The weight of settler colonialism: Bronwyn Carlson, ‘Indigenous fat rebellion: Rejecting settler fatphobia and reclaiming body sovereignty’, Fat Studies, 2025 »

A view over settler colonialism: Malcolm Traill, ‘A grand colonial vista – with a few twists: Dale’s Panorama and its accompanying pamphlet’, Australian Garden History, 37, 1, 2025, pp. 14-19

24Jul25

Excerpt: Early colonial artwork in Australia can tell us a lot about landscape, botany and colonial attitudes. This is very much the case with this painting of King George’s Sound (now Albany) in Western Australia, informally known as the Dale Panorama. So, what is the background to this huge work, almost 3 m in length, and why was it painted? Who was Robert Dale and what became of him?

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  • Settler colonialism is a global and transnational phenomenon, and as much a thing of the past as a thing of the present. Settlers 'come to stay': they are founders of political orders who carry with them a distinct sovereign capacity.
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