Abstract: This dissertation examines how Native comedy operates as a rhetorical and psychoanalytic critique of settler colonialism. Focusing on the television series Reservation Dogs, I argue that gallows humor, which is defined as comedy engaging death, trauma, and suffering, functions as a distinctly Native rhetorical practice that reveals and resists ongoing colonial violence. Drawing on rhetorical studies, Native studies, and Lacanian psychoanalysis, the project theorizes the “settler colonial death drive,” defined as the unconscious compulsion within settler society to reproduce eliminatory logics that render Native life precarious. Through close textual and contextual analysis, I demonstrate how Reservation Dogs uses humor to expose these conditions while fostering survivance, refusal, and community. Chapter one situates Native comedy historically as a form of gallows humor emerging from conditions of marginalization. Chapter two analyzes the Tall Man trope and representations of suicide, reframing death as a structural condition rather than individual pathology. Chapter three examines the Deer Lady to theorize the gendered dimensions of settler colonial violence and Native feminist refusal. Ultimately, this project positions Native gallows humor as a critical rhetorical practice that confronts, rather than escapes, the enduring violences of settler colonialism.



Excerpt: In Concord, Massachusetts, a few years ago, I attended a two-week summer residency on the topic of Thoreau and social reform in the American Renaissance. On the final day, we discussed “Native American Rights in Antebellum America.” At the very start of the event, one of the event’s panelists, Linda Coombs, an historian and educator of the Wampanoag Tribe of Aquinnah, began with a question: “What Native American rights?” The mostly White audience stiffened. Coombs laughed. “What rights, really?” She offered this like it was the punch line everyone had long known was coming. “It just doesn’t compute,” she said. It was clear that Linda Coombs was unimpressed with and disinterested in both Henry Thoreau’s person and work. She dismissed Thoreau with turns of phrases that were startling, even sacrilegious, to many in the room – in “The Concord Colonial Inn,” which Thoreau’s family once owned, and where a young Thoreau roomed while studying at Harvard – and where, for the last weeks, many of us, myself included, had worshipped at and swum in his and Transcendentalism’s shrines. Coombs, on the other hand, referred to him as a settler and mocked his fame for spending years on Indigenous land. She also asked why it was only on our final day that we focused on Indigeneity in North America. These and other inquiries exacted a certain speechlessness – a general liberal confusion, at a conference about reform, in good liberal Massachusetts – that became utterly pervasive, palpable, indeed, in this windowless room in Thoreau’s literal basement.




Abstract: Olive trees, emblematic of Palestinian identity, resilience, and sustenance, occupy a central yet precarious role in the ongoing colonization of Palestine by Israel. The proposed paper explores the ecological, cultural, and political significance of olive trees in the Zionist settler-colonial project. The destruction of over 800,000 Palestinian olive trees since 1967 reveals a deliberate strategy to dispossess Palestinians of their land, disrupt food sovereignty, and undermine their deep-rooted connection to their homeland. While olive groves are crucial to Palestinian livelihood and symbolize sumud (steadfastness), they are also targeted as “enemy soldiers” in a legal and ideological battle over land ownership. The chapter examines the paradoxical use of olive trees in Zionist narratives, first as symbols of a biblical homeland and later abandoned in favor of European pines to erase Palestinian history and conceal Nakba atrocities. Through literary and artistic works, like those of Mahmoud Darwish and Sliman Mansour, olive trees emerge as “sites of memory,” preserving Palestinian narratives against erasure. Simultaneously, Israel’s monocultural afforestation, environmental exploitation, and the uprooting of olive trees for settlement expansion demonstrate ecological imperialism and environmental Nakba. It also analyses the ideological tensions within Zionism, where the destruction of olive trees contradicts both Jewish religious laws and environmental claims, further exposing its colonial ambitions. The paper looks into how olive trees, beyond their economic and symbolic roles, stand as a powerful counter-narrative to Zionist myths, asserting the enduring presence and resistance of the Palestinian people. Through these trees, the struggle for Palestinian liberation intersects with the broader fight for environmental justice, challenging ongoing acts of both genocide and ecocide.