Abstract: “Nurturing Resistance: Food Sovereignty in Jonny Appleseed and The Seed Keeper” investigates how Indigenous literary characters engage in subsistence practices—growing, preparing, and consuming food—as a means of resisting the resource extraction, industrial agriculture, and ecological degradation perpetrated by settler-colonial powers on traditional First Nations and Métis territories in present-day Manitoba and Minnesota. This master’s thesis reads works of fiction by authors Diane Wilson (Dakhóta) and Joshua Whitehead (Two-Spirit Oji-nêhiyaw member of Peguis First Nation) as “case studies” that contribute to a better understanding of the real-life struggles Indigenous people face to reclaim their ancestral lands and lifeways. North American settler society’s aggressive consumption of land, resources, and even Indigenous bodies looms large in both novels. In Wilson’s and Whitehead’s texts, Indigenous characters undermine these exploitative Euro-American power structures and challenge cultural hegemony by exerting bodily autonomy, nurturing familial relationships, and cultivating (traditional) foods. Multiple generations of Dakhóta women in The Seed Keeper (2021) struggle against the cultural and environmental destruction inflicted upon their traditional territory by Euro-American settlers. Ripped from her family by the predatory policies of the U.S. foster care system, Wilson’s protagonist Rosalie eventually finds her way back to her roots through the seeds and plants of her Dakhóta homeland. In Jonny Appleseed (2018) Whitehead’s protagonist similarly connects to his ancestors and sustains friendships through sharing meals. This literary analysis explores characters’ fraught relationships with highly processed foods which simultaneously bring them and their relatives closer together while also contributing to high rates of diet-related diseases within their communities. Despite the pervading food insecurity he experiences in Peguis First Nation and in Winnipeg, Jonny and his family manage to renegotiate and resurge their culture’s traditional foodways to meet their contemporary needs. In both novels the struggle for food sovereignty reaches far beyond physical survival. For Indigenous characters, cultural survival is inextricably rooted in food sovereignty.


Abstract: This dissertation investigates the reproduction of American settler colonialism in the Tohono (desert, Tohono O’odham territory) and waterways’ physical and ideological reconstruction via the appropriation of O’odham labor and indigeneity since the early twentieth century. Social scientists have emphasized the role of infrastructure, land, labor, race, and gendered and sexualized power in the physical and ideological reproduction of settler colonialism in the United States. Looking at the transformation of the Tohono following American colonialism, I ask, “How has indigeneity been appropriated to reconstruct waterways in the Tohono since Franklin D. Roosevelt’s New Deal? How has American settler colonialism established collaborative arrangements with O’odham in the form of governance and labor? How have ideas and responses to water management impacted the everyday lives of O’odham?” I focus on historical and current experiences and perceptions of drought to trace the role of power in local and national discussions of water management. This research argues four main points: 1) both water management and the racialization of Tohono O’odham labor have been intricately tied to the expansion of settler colonialism, 2) commercial agriculture has worked to shape the racial and gendered experiences of Indigenous women, 3) American scientists and media sources in Southern Arizona have historically nationalized discussions about water to garner political and economic support for conservation projects, and 4) Collaborative arrangements between Tohono O’odham elites and Anglo American elites have produced structures of stratification expressed in fiscal inequality and historically recurring experiences of environmental and political violence.




Abstract: Climate imaginaries – collectively held visions of future climate change – take shape in a variety of media and genres, from computer models to poetry. While some cli-mate imaginaries have proven particularly enduring and have managed to attain a hegemonic status in climate change discourse – for example, the “techno-market” imaginary and the “climate apocalypse” imaginary – others remain marginalized. Drawing on Waubgeshig Rice’s Moon of the Crusted Snow (2018), this article theorizes the “colonial Anthropocene” imaginary as an alternative imaginary and examines its co-production at the intersection of academic discourses, activism, and literature. The “colonial Anthropocene” imaginary generally and Moon of the Crusted Snow spe-cifically negotiate ideological tensions that have emerged in the discourse on the An-thropocene and forge a connection between the seemingly exceptional event of an-thropogenic climate change and a historical sequence of colonial violence and forced displacement of Indigenous peoples. As one of this imaginary’s manifestations in the literary domain, Moon of the Crusted Snow (2018) embeds climate change into a longer story that begins with settler colonialism on the North American continent by drawing on an equally old genre: the Indian captivity narrative. Significantly, the “co-lonial Anthropocene” imaginary is a reaction to the impulse toward claims to univer-sality resurfacing in the discourse on the Anthropocene, particularly in the notion of “the human.” 



Abstract: This dissertation traces the evolution of “emigrant colonialism” from the late nineteenth century through the interwar years. During this period, several traditionally emigrant-sending nations, including Poland, Germany, Italy, and Japan, developed similar strategies for channeling their outflows of migrants into projects for overseas expansion. What they called “emigrant colonialism” involved forming private companies to purchase large tracts of isolated territory abroad. By settling their compatriots in linguistically homogeneous company towns on the frontiers of Brazil, Argentina, and Paraguay, they sought to simulate a national settler colonial experience while expanding economic and political influence overseas. Although some aimed to use these demographic enclaves as foreign extensions of their domestic economies, others aspired to transform their settlement colonies into fully independent “daughter states” in South America. While the specifics of their respective agendas varied, German, Polish, Italian, and Japanese emigrant colonialists all developed analogous geopolitical imaginaries and approaches to managing migration. This dissertation explains how and why they developed such a simultaneously idiosyncratic yet similar expansionist strategy. By reconstructing the perspectives of German and Polish emigrant colonial activists from the 1880s through the 1930s and situating them within the secondary scholarship on Japan and Italy, this study argues that emigrant colonialism was not nationally unique to any one of these nations, as previous historians have held. Rather, emigrant colonialism was a subgenre of imperialism that all four collaboratively pioneered through their rivalry and mimesis. In addition to pinpointing the unique spin each nation gave to the practice, this dissertation highlights the cross-pollination and convergent evolution of the German, Polish, Italian, and Japanese emigrant colonial projects over the interwar years. This study advances two major claims to explain this entangled history. First, it contends that the transnational flows of influence between their expansionist projects were facilitated by a shared “underdog imperialist mentality,” defined as a specific way of viewing the world and their nations’ place within it. Second, it argues that the international system of the interwar world played a crucial role in fostering the growth and development of emigrant colonialism during this period.