Abstract:The turn from the nineteenth to the twentieth century marked a time of intensified data collection in the United States focused especially on childhood. This article explores how two children’s narratives, Francis La Flesche’s The Middle Five (1900) and Francis Rolt-Wheeler’s The Boy with the U.S. Census (1911), reflect and respond to this conjunction of boyhood, settler colonialism, and official surveillance. Read together, these texts provide a window into the ways that data collection mediated between the everyday lives of children and the bureaucratic machinations of US colonial governance, marking those data as a site at which governance could be asserted or contested. The colonizing discourse with which these texts engage treats numeracy (rather than the more common literacy) as the threshold for citizenship and reduces Indigenous people, in particular, to the passive objects of measurement and administration. More surprisingly, though, these books also display the role that children’s literature played in placing children themselves in a relationship with numerical data collection, either as enthusiastic and active participants or wary counteragents. While Rolt-Wheeler portrays bureaucracy as an imperialist adventure in which white boys should joyfully partake, La Flesche offers a portrayal of the harm that this incessantly quantitative thinking did to Native children, but he also adds a nuanced critique of the epistemologies underlying such thinking.


Abstract: This chapter discusses two poetry books by Canada’s Indigenous writers, It Was Treaty/ It Was Me (2020) by D.n.sųłin.́ and M.tis Matthew James Weigel and Injun (2016) by Nisga’a Jordan Abel, as different examples of textual remix. Each of them, albeit in different ways, responds to and exploits the contemporary accessibility and materiality of language, which results from its availability in the digital space and on the Internet, and which, in turn, inspires a series of appropriative procedures (such as copying-pasting, sharing, and remixing, for example) to which language – seen as matter – is then subjected. Critics have referred to contemporary culture, which is dominated by new media technologies, as ‘remix’ culture (Manovich, 2015; O’Neil, 2006; Navas, 2012; Goldsmith, 2010; Dworkin, 2010), in which every Internet user re/produces cultural content, even if they often do so mechanically and uncritically. The poets discussed in this chapter engage in reflective and critical dialogues with the textual material they select, appropriate, and transform—that is, remix, often radically and provocatively— for their own works. Both Weigel and Abel sample from settler colonial archives rather than Indigenous sources, revisiting versions of the past as constructed by colonial sources. However, they do not engage in revisionist rewritings of the sources or their messages. Instead, both poets undertake a series of what Walter Mignolo (2014) theorize as ‘decolonial gestures.’ Their poems foreground investigation of and dialogue with the sources as processes to open the source texts for unlimited re-readings and allow them to arrange and articulate their own space within the formulas and structures of settler colonialism, whose ongoing effects on Indigenous land and being both seek to expose and address.





Abstract: Since the early years of colonization, Native American people have engaged in continuous legal struggles for land and sovereignty, which have exposed the colonial underpinnings and white supremacist worldview that are the root cause of their ongoing subjugation. In modern times, that often takes the form of government-backed corporate control over natural resources. This note traces the historical links from treaty violations by early white settlers for the purpose of usurping plantation land and gold, to recent incursions by companies building unwanted oil and gas pipelines on Native American lands. Both then and now, using law as a tool of resistance has had varying results. On the one hand, there are countless instances where the law has been used as a weapon against Indigenous sovereignty, for example allotment leveraged property law to further divide Native American lands, as well as Native American people from their land. The European conceptions of how property ought to be used, enshrined in laws that require land claims to be exclusive, have consistently deprived Native American nations of decision-making over their lands. On the other hand, some treaties have been successful in ensuring enforcement of environmental protections on Indigenous land. Moreover, the framework that forms the basis for many rights, that tribal membership is a political rather than a racial designation, has been reaffirmed by the Supreme Court. And, though recent judicial efforts to undermine the protective relationship the federal government has with Native American nations have been successful, there is room for deeper understandings of Native American sovereignty to emerge into law—understandings based on inherent, rather than relational sovereignty.


Abstract: This thesis critically examines the commemorative activities of the Historic Sites and Monuments Board of Canada (HSMBC) from its creation in 1919 to its centennial celebrations in 2019. The HSMBC provides recommendations to the federal government regarding the designation of national historic sites, people, and events as being ‘nationally significant’ through commemorative plaques erected across the country. This thesis demonstrates how the HSMBC and both amateur and professional historians involved in its work have advanced the ongoing processes of settler colonialism by supporting the intellectual displacement of Indigenous histories through commemorative practices and through the public discourses associated with these. It further argues how definitions of ‘national significance’ have been actively constructed throughout the twentieth and twenty-first centuries to advance the objectives of the federal government and, more generally, colonial society. Using Ontario as a case study, this thesis articulates how intellectual trends associated with Indigenous peoples have impacted the interpretation of Indigenous histories by the federal government, showcasing how individual historians on the HSMBC influenced these interpretations based on their lived experiences. The work of the HSMBC was never passively accepted by Indigenous peoples who not only challenged the narratives that were being presented as ‘nationally significant’ but also contested the central premises of commemoration within Western society. This was reflected through examples of Indigenous peoples supporting the commemoration of cultural landscapes, reinterpreting archaeological sites to show cultural and societal continuity, asserting the significance of oral histories as a method of conveying historical information, and decentralizing the importance of specific dates to recognize cyclical patterns as being meaningful within their communities. These interventions have not only reformed the work of the HSMBC and the realities of Canada’s commemorative landscape, but have also contested the principles of settler colonialism that have actively sought to erase the histories of Indigenous peoples.




Access the special issue here.