Description: Virginia’s Racial Integrity Act of 1924 recodified the state’s long-standing racial hierarchy as a more rigid Black-white binary. Then, Virginia officials asserted that no Virginia Indians could be other than legally Black, given centuries of love and marriage across color lines. How indigenous peoples of Virginia resisted erasure and built their identities as Native Americans is the powerful story this book tells. Spanning a century of fraught history, Being Indigenous in Jim Crow Virginia describes the critical strategic work that tidewater Virginia Indians, descendants of the seventeenth-century Algonquian Powhatan chiefdom, undertook to sustain their Native identity in the face of deep racial hostility from segregationist officials, politicians, and institutions.Like other Southeastern Native groups living under Jim Crow regimes, tidewater Native groups and individuals fortified their communities by founding tribal organizations, churches, and schools; they displayed their Indianness in public performances; and they enlisted whites, including well-known ethnographers, to help them argue for their Native distinctness. Describing an arduous campaign marked by ingenuity, conviction, and perseverance, Laura J. Feller shows how these tidewater Native people drew on their shared histories as descendants of Powhatan peoples, and how they strengthened their bonds through living and marrying within clusters of Native Virginians, both on and off reservation lands. She also finds that, by at times excluding African Americans from Indian organizations and Native families, Virginian Indians themselves reinforced racial segregation while they built their own communities.Even as it paved the way to tribal recognition in Virginia, the tidewater Natives’ sustained efforts chronicled in this book demonstrate the fluidity, instability, and persistent destructive power of the construction of race in America.







Abstract: This thesis investigates how four contemporary Australian novels, Peter Carey’s Oscar and Lucinda, Joan London’s Gilgamesh, Alex Miller’s Journey to the Stone Country and Alexis Wright’s The Swan Book, through adopting innovatively the journey motif and structure, deal with the impact of Australia’s colonial past on the country’s race and gender relationships. These journey stories variously represent Australian colonial history, explore the subjects of white guilt and settler unbelonging, and envisage an apocalyptic future for Australia. For my examination of the novels, I draw on elements of settler colonial and feminist theories, while also referring to Joseph Campbell’s and Evans Lansing Smith’s scholarship on the hero journey for the close reading of race and gender embodied in the novels. I argue that the selected novels, by means of three journeys or three phases of a journey, expose and challenge oppressive dualistic ideologies, such as white and black, male and female, the imperial centre and the empire periphery, human and Nature, and even life and death. In charting the journeys represented in the novels, I argue that i) Oscar and Lucinda, by re-enacting the scenes of early settlers’ migration to Australia and settler explorers’ expeditions into the inland of the continent, reimagines the originating moment of the colony and reveals the racist and patriarchal nature of it; ii) while Gilgamesh feminises an ancient Sumerian hero journey by having a young female embark on an epic journey, it implies the unlikelihood of white settlers’ sense of belonging in Australia; iii) the circuitous journey of the settler heroine and Aboriginal hero in Journey to the Stone Country exposes the darkness of Australia’s frontier history and reflects the uncertainty involved in Australia’s Aboriginal reconciliation movement; and iv) by likening the Aboriginal heroine’s abduction and return journey to the Aboriginal cultural practice of walkabout, in which Aboriginal Australians trek along creator ancestors’ path of creation, The Swan Book asserts Aboriginal people’s ontological sovereignty while it challenges settlers’ derivative sovereignty. The thesis contends that journeys depicted by each of the four novels evoke descent of the hero or heroine into the underworld, reminding us that until the settler authorities in Australia relinquish their colonisation of Aboriginal Australia and accommodate Aboriginal sovereignty, the country will always be beset by fraught race and gender relationships.