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Abstract: Canadian government legislation implemented policies in the early 1900s that facilitated inter-racial marriages between Indigenous women and Chinese bachelors. Foreign workers were over-recruited from China, to migrate to Canada, to support the development of the railway system. To deal with this “perceived” over-population Canada began implementing racist policies that included intentional deterring of Chinese men from bringing their families with them to Canada. My research focuses on the consequences of these racist policies designed to keep Canada a white, British nation. This narrative inquiry qualitative research includes two participants’ who are descendants of these marriages. Using an Indigenous feminist and intersectional theoretical lens, my research fostered a safe space for these two participants’ lived experiences to be told. Thus, further uncovering aspects of our Canadian Prairie history, and backing their ancestral histories up with the limited available scholarly recognized works. The project used a de-colonial approach in the way that the direction of the research process was led by the participants’, which unveiled how systemic racism did, and continues to, impact Indigenous Peoples’ nationwide, specifically here in the Prairies. I honoured the lived experiences of these participants’ by using research methods and theories that are based on reciprocity, relationships and respect. This process includes how my own story, shared throughout the paper, inevitably impacts the way our conversations evolved and the conclusions I have drawn. To ethically and respectfully ensure the use of the stories heard throughout this thesis, the participants’ were given the opportunity to review and approve the direct quotes included completing the reciprocal research conversational consent. Three themes emerged from the participant stories. First, our historical account of colonialism needs to be accurate, and the only way to ensure that is to recount the stories of those affected. Second, the traditional Indigenous knowledge system(s) and its teachings about women’s roles as integral to the well-being of communities was systematically erased, with consequences to Indigenous Peoples’ as a whole. Third, those teachings, roles and stories are a pathway to restoring identities and belonging to all who live on Turtle Island.



Abstract: This article offers a broad and deep discussion of critical issues in the study of language, race, and political economy through an analysis of the verbal art, aesthetics, and performances of South African hip hop artists. In particular, we present an in-depth analysis of the Afrikaaps language movement in Cape Town, South Africa and theorize the language-race-land complex , the range of issues with respect to the co-constitution and refusal of the colonial logics of language, race, and land. Specifically, we address the Afrikaaps language movement in Cape Town, South Africa. Afrikaaps is a South African hiphopera that disrupts white settler colonial logics of language, race, and land through an interrogation and revision of white supremacist constructions of Afrikaans. This reinvention of language, race, and land frees the Afrikaans-speaking, so-called Coloured community from oppressive, colonial logics and offers them new ways of envisioning their linguistic, racial, spatial, and political-economic futures. We argue that, for the artists–activists involved in this decolonial, raciolinguistic movement, Hip Hop becomes a critical vehicle for raising consciousness through language, foregrounding Indigenous knowledge systems, and upending the white supremacist legacies of apartheid through a radical re-education. Methodologically, we center Black and Indigenous artists’ voices, understanding them to be more than cultural producers but also cultural theorists. We draw upon our longitudinal, ethnographic cultural engagement with the Hip Hop artists involved in the theatre production and related forms of language activism.