Excerpt: In settler societies, coming to grips with historical wrongs continues to pose an enduring dilemma. Powerful scripts and events of redress, forgiveness and reconciliation are used to petition for and engage with narratives of the “post” settler nation state. The scope, substance, and politics of reckoning with settler colonial wrongs have garnered an intense controversy, and by turns, precipitated vibrant and creative scholarship. In Australia, Aotearoa New Zealand, Canada, and to a lesser extent, the United States, scholars have recognized the distinctive roles of reconciliatory efforts in settler societies, and attempted to untangle the repertoire of “moving on” and beyond the historical continuity of settler colonialism. They look at what it means to be “post” colonial and decolonized in nations that still lack a clear decolonizing moment. This essay engages with these competing perspectives as explored in the work of three recent volumes: Penelope Edmonds’ Settler Colonialism and (Re)conciliation, Eva Mackey’s Unsettled Expectations: Uncertainty, Land and Settler Decolonization, and Sarah Maddison et al., The Limits of Settler Colonial Reconciliation. Taking specific case studies across Australia, Aotearoa New Zealand, Canada, and the United States, these comprehensive and transnational comparative studies offer rigorous evaluation of the ideas and symbolic practices of reconciliation and their interlocking relationships with settler colonial histories. Without treating the processes of “decolonization” and “reconciliation” as self-contained, isolated, or discrete units of meaningful change, these scholars address the ways in which the practices of these concepts attempt to reanimate and mobilize the past for a “post” settler condition and emancipatory moral order. The prefix “post,” as Jean Francois Lyotard has articulated, conjures the conviction “that it is both possible and necessary to break with tradition and institute absolutely new ways of living and thinking.” But in settler societies, the “post” may not mean a clearly defined moment or a “rupture” with the colonial past; instead, it may well repeat it and reinforce its diurnal residues. In different ways, these volumes interrogate these “new” realities and their chameleon-like abilities, by offering multifaceted approaches to deter what seems to be an alarming reproduction of coloniality and normative authority of the settler state. They use different and understudied analytical lenses and frameworks such as performance, ethnography of conflicts about land rights, and structural and attitudinal engagement to explore the complex and difficult conundrums and aporias of decolonization in settler societies.


Description: In the twenty-first century, it is politically and legally commonplace that indigenous communities go to court to assert their rights against the postcolonial nation-state in which they reside. But upon closer examination, this constellation is far from straightforward. Indigenous communities make their claims as independent entities, governed by their own laws. And yet, they bring a case before the court of another sovereign, subjecting themselves to its foreign rule of law.

According to Jonas Bens, when native communities enter into legal relationships with postcolonial nation-states, they “become indigenous.” Indigenous communities define themselves as separated from the settler nation-state and insist that their rights originate from within their own system of laws. At the same time, indigenous communities must argue that they are incorporated in the settler nation-state to be able to use its judiciary to enforce these rights. As such, they are simultaneously included into and excluded from the state.

Tracing how the indigenous paradox is inscribed into the law by investigating several indigenous rights cases in the Americas, from the early nineteenth century to the early twenty-first, Bens illustrates how indigenous communities have managed—and continue to manage—to navigate this paradox by developing lines of legal reasoning that mobilize the concepts of sovereignty and culture. Bens argues that understanding indigeneity as a paradoxical formation sheds light on pressing questions concerning the role of legal pluralism and shared sovereignty in contemporary multicultural societies.








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Abstract: Settler Modernism traces how Stieglitz’s iconic photograph, Te Steerage (1907) came to be known as the frst modernist American photograph and how, at each stage of its trajectory into the modernist canon, it was interpreted through settler colonial narratives that served to naturalize whites’ ongoing presence on occupied territories in the twentieth century. Tough studies of settler visual cultures typically concentrate on events surrounding acts of colonization, I demonstrate that American modernist photography was continuous with the nineteenth-century history of photography for which settler colonialism was a structural and discursive force that framed photographic vision. I bring Te Steerage into conversation with Stieglitz’s photographs of working-class people, Manhattan, and clouds, as well as with artworks by Cézanne, Anne Brigman, Albert Bierstadt, Tomas Cole, and others. By interrogating how the camera’s capacity to distort perceptions of time and land clinched whites’ amnesia regarding the nation’s founding violence, I show how photographs encouraged settlers to imagine themselves as the ancient inhabitants of the continent. I also thread Indigenous histories, philosophies, and visual cultures throughout the text, undermining settler logic with perspectives that make apparent its impracticability. Trough concentrated examination of Te Steerage’s history, I shed light on how settler colonialism was not only central to the emergence of American modernism, but also to emergent conceptions of white racial identity that followed the closing of the frontier.