Abstract: This article, focusing on the Landless Workers’ Movement (MST) of Brazil, demonstrates how members of Latin America’s largest social movement perform the diverse compacts of obligation and reciprocity that characterise an MST occupation. MST encampments seek to enact a transformation of the land on which members are situated, but also emphasise a transformation of the human subject itself, from unproductive to productive. Performing this transformation and becoming truly ‘landless’, however, goes beyond merely being a willing new member: equally as important is the creation and maintenance of an ‘aesthetics of orderliness’ which makes visible the moral connotations that structure or undermine one’s right to become sem terra, landless. Through an analysis that foregrounds the temporality and territoriality of how the MST occupy and drawing a distinction between the precariousness of an MST encampment and the relative stability of an MST settlement, I suggest that movement members are content to perform in the former, but increasingly seek to issue performative acts in the latter. Building on Judith Butler’s distinction between performativity and performance, I argue that individual MST members, embedded in relational spheres, ultimately seek not only to transform themselves but also the wider movement by reconfiguring the very moral framework that structures their social movement from the ground up.


From the Editor’s note: For many Americans, the 2016 protests against the Dakota Access oil pipeline served as an introduction to the Indigenous peoples’ movement. Over the course of more than a year, activists and members of various Native communities assembled at the Standing Rock Reservation in North Dakota to prevent the destruction of natural resources and sacred lands, while people around the world followed their progress. Photographer Josué Rivas was there for much of that time, documenting the evolution of the protests as seasons changed and political tensions rose and fell. His captivating images of Standing Rock, featured in this issue, evoke questions of development, environmental justice, and conflict and peace—demonstrating, in short, how the Indigenous peoples’ movement is not only one of the most significant social-justice movements of our time, but also among the most multifaceted.

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Abstract: Henry Hospers (1830-1901) was the leader of the Dutch kolonie (colony) of Sioux County, Iowa. When Hospers named and platted Orange City in 1870, Hendrik P. Scholte of the Pella, Iowa colony was dead and Albertus C. Van Raalte of the Holland, Michigan colony was nearing the end of his life. Compared to the more famous Scholte and Van Raalte (who settled their respective Midwestern colonies in 1847), Hospers has received little critical attention as a significant Dutch American immigrant leader. Hospers’ relative historical obscurity is understandable. Scholte and Van Raalte were clergy, while Hospers was a layman. Moreover, he was a second-generation leader. Further, the surviving records related to Hospers are spottier than those related to Scholte and Van Raalte. Even so, there is plentiful evidence of Hospers’ significance. This study of Hospers as a colony leader documents that he was a tireless promoter of the colony in particular and Sioux County more generally, particularly as a land broker, banker, and owner of the weekly De Volksvriend (The People’s Friend). He was also an office holder representing all settlers, especially as Chair of the Sioux County Board of Supervisors and as a member of the Iowa House and then the Senate. Finally, he was a founder of “church and school” (kerk en school) for the colony in his work to organize Northwestern Classical Academy (later Northwestern College) and First Reformed Church of Orange City. His experience helps fill out the tapestry of Dutch Protestant settler acculturation: retaining Dutch identity and becoming American amidst the fluidity of modernity.






Abstract: This paper seeks to analyse the ways in which the interrelationship between formal and informal legal-social systems constructs women’s murders within Palestinian society. The main focus will be on the processes through which the local/global “politics of exclusion” colludes with a localized “culture of control” to generate the context within which violence against colonized women in colonial/occupied zones is fueled, strengthened and even justified, by colonized and colonizer alike. More precisely, we address how raced, classed, and gendered processes of exclusion at both the local and global levels jeopardize the lives and bodies of women in conflict zones, in this particular case those of Palestinian women. The term “politics of exclusion” refers to the mechanisms through which the Israeli occupying state and members of the international community participate in the denial of the Palestinian people’s rights to a homeland, safety, housing, freedom of movement, economic development, education, health, etc. The term “culture of control” refers to localized manifestations of patriarchal and masculine logics that are empowered by the politics of exclusion. An examination of the crime of femicide will shed light on how the global denial of Palestinian suffering (underpinned by the global “War on Terror” and current climate of “Islamophobia”) has heightened a sense of fear of the Palestinian Other, and contributed to a state of social, legal and political chaos within Palestinian society, in which Palestinians are further marginalized. This chaotic and violent state of affairs has, in turn, opened up new spaces in which hegemonic and/or patriarchal power-holders within Palestinian communities can exercise greater control over women’s lives, bodies and sexuality.