Abstract: This thesis is a case study of the Rawabi urban development project that is currently in progress in the West Bank. Rawabi is the first master-planned Palestinian city that first broke ground in early 2010 and is the largest private sector project ever carried out in Palestine. Once the city is complete, it is expected to house more than 40,000 residents and cost more than $1 billion. Therefore, this thesis will investigate what recent political, economic, and social changes in Palestine have impacted urban development in the West Bank in ways that have made the emergence of Rawabi possible. Moreover, it seeks to answer what are the social relations that have produced the space that Rawabi occupies and what kind of urban form has materialized as a result. Finally, it hopes to explain what are the main drivers of the new type of urban space that Rawabi embodies, how have they come together to make Rawabi a reality, and what goals do they hope to achieve through the realization of Rawabi. To address these questions, a framework for analysis on urban development in the West Bank that merges spatial theory with political economy will be used to explain how the coalescence of urban spatial production, neoliberalism, Israeli settler-colonialism, and the reconstitution of political-economic networks at local, regional, and transnational levels have made the realization of Rawabi possible. The thesis argues what has emerged out of these processes is a new urban form, which it calls the McCity. Accordingly, this argument will be unpacked in the following chapters. Chapter two consists of two parts where the theoretical framework presents the concepts of conceived space, abstract space, and neoliberalism, while the literature review explores recent political, economic, and social transformations that have occurred in the West Bank – all within the context of Israeli settler-colonialism. Chapters three and four are a socio-spatial analysis of Rawabi that focuses on the project’s urban form […].








Excerpt: Survivance as a legal concept names the right to inheritance and more specifically the condition of being qualified to inherit a legacy. In his essay “Aesthetics of Survivance” (2008), Vizenor describes survivance as “the heritable right of succession or reversion of an estate” (1). This aspect of survivance is overlooked by those scholars of Vizenor’s work who focus rather on the conjunction of the terms “survival” and “resistance,” terms that are important most fundamentally as they intersect with the capacity to transmit and to accept the inheritance of the past that is itself the intersection of survival and resistance. That is to say, acts of resistance and survival form the axiology (or ethical action) of survivance; the preservation of tribal languages, for example, or the transmission of traditional stories, are acts that ensure the continual availability of the tribal values of knowing and being in the world that are encoded in those words and stories. These Indigenous lifeways constitute the inheritance that motivates survivance. Thus, survivance is not a static object or method but a dynamic, active condition of historical and cultural survival and also of political resistance, practiced in the continual readiness of Indigenous communities to accept and continue the inheritance passed on by elders and ancestors. In this sense, claims made by recent Indigenous video-game developers to speak to youth through digital media by creating games that transmit tribal legacies of language, stories, ontologies, and ways of knowing and being in the world, speak to the practice of survivance. Indeed, the particular capacity of video games to engage active participation in the making of stories offers a powerful means to encourage and sustain survivance. In what game designer Elizabeth LaPensée (Anishinaabe/Métis) refers to as “Indigenously-determined” video-games, then, survivance is both a substantive dimension of the experience of playing a game and also the underlying structural principle that governs the game mechanics that are determined by Indigenous epistemologies.