special issue of interventions: indigeneity and performance
Helen Gilbert, ‘INDIGENEITY AND PERFORMANCE’.
Jacqueline Shea Murphy, ‘CLEARING THE PATH: Contemporary Dance, Indigenous Methodologies and Michelle Olson’s Evening in Paris’.
Helen Gilbert, ‘INDIGENEITY, TIME AND THE COSMOPOLITICS OF POSTCOLONIAL BELONGING IN THE ATOMIC AGE’.
Therese Davis & Romaine Moreton, ‘INDIGENOUS PERFORMANCE OF HISTORY, LOSS AND REMEMBRANCE IN WHISPERING IN OUR HEARTS: The Story of the Mowla Bluff Massacre’.
Charlotte Gleghorn, ‘REVISIONING THE COLONIAL RECORD: La relación de Michoacán and Contemporary Mexican Indigenous Film’.
Tina K. Ramnarine, ‘SONIC IMAGES OF THE SACRED IN SÁMI CINEMA: From Finno-Ugric Rituals to Fanon in an Interpretation of Ofelaš (Pathfinder)’.
Angela Impey, ‘SONGS OF MOBILITY AND BELONGING: Gender, Spatiality and the Local in Southern Africa’s Transfrontier Conservation Development’.
Stephanie Pratt, ‘George Catlin in Europe, ‘OBJECTS, PERFORMANCE AND ETHNOGRAPHIC SPECTACLE’.
Peter Kulchyski,'”SPEAKING THE STRONG WORDS”: Notes on Performing Indigenous Community Politics in Denendeh’.
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