Description: Tracing the convergence of ecology and engineering over the last three decades, this book pinpoints a new environmental paradigm that the author calls Nature Remade. Allison Carruth’s Novel Ecologies shows how the tech industry has taken up the wilderness mythologies that shaped one strain of American environmentalism over the last century. Calling this twenty-first-century environmental imagination Nature Remade, Carruth describes a distinctly West Coast framework that is at once nostalgic and futuristic. Through three case studies (synthetic wildlife, the digital cloud, and space colonization), the book shows Nature Remade to be a quasi-religious belief in venture capitalism and big tech. This paradigm thus imagines a future in which species, ecosystems, and entire planets are re-generated and re-created through engineering. Novel Ecologies challenges the conviction that climate change and other environmental crises must be met with ever larger-scale forms of technological intervention. Against the new worlds conjured by Google, Meta, Open AI, Amazon, SpaceX, and a host of lesser-known start-ups, Carruth marshals writers and artists who imagine provisionally hopeful environmental futures while refusing to forget the histories that have made the world what it is. On this track of the book, Carruth discusses the works of Octavia Butler, Becky Chambers, Jennifer Egan, Ruth Ozeki, Craig Santos Perez, Tracy K. Smith, Jeff VanderMeer, Saya Woolfalk, and many more. Their novels, poems, installation artworks, and expressive media offer a speculative world built on livable communities rather than engineered lifeforms.





Abstract: Background: Public opposition to COVID-19 public health measures in the United States is often understood as a product of misinformation, political polarization, or distrust. Such explanations, however, obscure how histories of race, governance, and moral authority shape resistance to pandemic mitigation, particularly in settler colonial contexts. Theoretical Rationale and Methodology: Drawing on scholarship on whiteness, settler colonialism, and biopolitical governance, this article examines pandemic resistance as a racialized and moralized political formation. The analysis is based on qualitative research conducted in Sheet’ká (Sitka, Alaska), including digital ethnography, interviews, and analysis of public testimony delivered at Sitka City Assembly meetings between September 2020 and September 2021. Results: Findings show that white settlers articulated “health freedom” through opposition to mask mandates, appeals to Christian nationalism, and discourses that dismissed death among those deemed “vulnerable.” Speakers mobilized claims to bodily sovereignty, divine authority, and inevitability to justify noncompliance while disavowing collective responsibility. Notably, pandemic discourse oscillated between denying the danger of COVID-19 altogether and acknowledging risk for an abstract and marginalized “vulnerable” population, an oscillation that functioned as a key mechanism of entitlement rather than a contradiction. Discussion/Implications: I conceptualize these dynamics as biopolitical entitlement: a racialized assumption that authorizes certain populations to determine how risk, exposure, and loss are distributed without accountability for the consequences of those decisions. By situating pandemic discourse within histories of whiteness, settler colonialism, and biopolitical governance, this article demonstrates how public health crises can intensify, rather than disrupt, racialized hierarchies of life, death, and collective responsibility.




Abstract: This thesis investigates the inherent limitations of state-led justice within the structure of settler colonialism through a relational analysis of the Indigenous peoples of Canada and the Palestinian people. Central to this inquiry is erasure—an ongoing “logic of elimination”, as articulated by Patrick Wolfe, which seeks to dissolve native societies to facilitate settler replacement and territorial acquisition. By evaluating Canadian mechanisms of reconciliation, such as official apologies, the Truth and Reconciliation Commission, and land acknowledgments, this study argues that these symbolic gestures often function as “settler moves to innocence”, a framework developed by Eve Tuck and K. Wayne Yang. These mechanisms frequently historicize colonial violence as a “sad chapter” of the past, thereby neutralizing ongoing dispossession and securing settler futurity through what is identified as the “erasure of erasure” or “double denial”, drawing on the work of Saree Makdisi. The research further critiques the application of transitional justice frameworks to non-transitional colonial contexts, contending that such models create a “post-colonial” façade while leaving oppressive structures intact. In response to these liberal narratives, the thesis centers Indigenous and Palestinian modes of resistance, including Audra Simpson’s politics of refusal, resentment as moral protest, and Sumud (steadfastness) as a grounded rejection of state-led “gifts” and normalization. The final analysis reflects on Palestinian futures, contrasting the “liberal trap” of the two-state solution with the material necessity of the Right of Return. Ultimately, this work contends that “true” justice and settler colonialism are mutually exclusive, asserting that decolonization requires the dismantling of settler structures and the physical restoration of the relationship between the people and the land.