Abstract: This paper draws on the critical negativity presented by Julia Kristeva and Édouard Glissant. Despite their differences, both accounts agree on three points: First, they respectively reject the fixation of an original meaning or original identity, moving towards a more indeterminate open-ended rethinking of loss, trauma, and the fragmented subject. Like Glissant’s ‘womb abyss’, Kristeva’s ‘black sun’ is another abyss, through which fragmentation, trauma, meaning, and the possibility for differential collectivity emerge. Secondly, both accounts expose the violence inscribed into settler colonialism to unsettle master narratives and myths of civilization. Thirdly, Kristeva and Glissant acknowledge the capacity of art and poetics to operate as sites of intertextuality and negativity where myths of civilization that sustain the violence of settler colonialism could possibly activate its own collapse. Within this framework, I explore Hans Holbein’s painting, The Body of the Dead Christ in the Tomb, alongside images of the dead bodies of Palestinian children, starved by Israel’s genocide in Palestine, not as aesthetics of suffering that reproduce the sites of subjection but as aesthetics of negativity and accountability to show how myths of spiritual and cultural superiority that sustain settler colonialism collapse at the site and sight of settler colonial violence.









Description: This collection brings together Indigenous and non-Indigenous scholars and experts from Australia and beyond to examine the persistent settler-colonial patterns of denial, ignorance and antipathy that continue to constrain the possibilities of truth and justice in settler-colonial societies. Written from diverse cultural and disciplinary perspectives, the chapters identify and analyse the social, cultural and political barriers to listening, hearing, and responding on the part of settlers, and the settler state/s. Prompted by the unsuccessful 2023 referendum on an Indigenous Voice to Parliament and the constitutional recognition of the First Peoples of Australia as the First Peoples of Australia, the volume reorients the discussion. Rather than returning to questions of how truth-telling might be improved or made more persuasive, it shifts the focus towards the continuing refusal of settlers (and the settler state/s) to adequately and ethically engage with the truths that have already been told. The chapters investigate patterns of denial, deflection, and structural resistance, exposing their contradictions and points of vulnerability with the express aim of contributing to their undoing. While a number of contributions paint a sobering picture of the enduring impediments to meaningful change, others—particularly those from First Nations authors—highlight the continuing, generative, healing work of truth-telling and/as activism already underway. These contributions foreground the transformative potential of Indigenous-led truth-telling practices, not only as responses to settler inaction, but as active forces for reimagining and reshaping settler–Indigenous relations.