Description: Native Space explores how indigenous communities and individuals sustain and create geographies through place-naming, everyday cultural practices, and artistic activism, within the boundaries of the settler colonial nation of the United States. Diverging from scholarship that tends to treat indigenous geography as an analytical concept, Natchee Blu Barnd instead draws attention to the subtle manifestations of everyday cultural practices—the concrete and often mundane activities involved in the creation of indigenous space.

What are the limits and potentials of indigenous acts of spatial production? Native Space argues that control over the notion of “Indianness” still sits at the center of how space is produced in a neocolonial nation, and shows how non-indigenous communities uniquely deploy Native   identities in the direct construction of colonial geographies. In short, “the Indian” serves to create White space in concrete ways.  Yet, Native geographies effectively reclaim indigenous identities, assert ongoing relations to the land, and refuse the claims of settler colonialism. 

Barnd creatively and persuasively uses original cartographic research and demographic data, a series of interrelated stories set in the Midwestern Plains states of Kansas and Oklahoma, an examination of visual art by contemporary indigenous artists, and discussions of several forms of indigenous activism to support his argument. With its highly original, interdisciplinary approach, Native Space makes a significant contribution to the literature in cultural and critical geography, comparative ethnic studies, indigenous studies, cultural studies, American Studies, and related fields.



Abstract: A settler colony which has remained under French sovereignty, New Caledonia was integrated into the French Union in 1946 before joining the generic category of ‘Overseas territory’ under the Vth Republic. Throughout this period, local political leaders made various attempts to overcome the fundamental double tension underlying the Caledonian colonial situation: the relationship between the archipelago and France (a political link between territories) and the relationship between settlers and the colonised Kanaks (a social link between populations). One of the most notable examples was the Union Caledonienne (UC), a political party that held office between the 1950s and 1970s, whose founders conceived it as a local embodiment of the French Union project. They envisaged the decolonisation of the archipelago within the French state, via the 1956 loi cadre, in the name of a ‘Caledonian people’ unifying former settlers and the indigenous population. It was only after the Gaullist shift of the 1960s towards a recentralisation of power around the French nation-state that local usage of the term ‘decolonisation’ changed: henceforth it came to refer to the independence demands of the ‘Kanak people’. The example of New Caledonia raises questions about the meaning of decolonisation, or ‘breaking with the colonial’, in specific historical contexts: in this case, a form of settler colonialism that resembles the Anglo-Saxon settler states (North America, Australia and Canada) as much as that of the wider French empire.



Abstract: This thesis is a case study of the Rawabi urban development project that is currently in progress in the West Bank. Rawabi is the first master-planned Palestinian city that first broke ground in early 2010 and is the largest private sector project ever carried out in Palestine. Once the city is complete, it is expected to house more than 40,000 residents and cost more than $1 billion. Therefore, this thesis will investigate what recent political, economic, and social changes in Palestine have impacted urban development in the West Bank in ways that have made the emergence of Rawabi possible. Moreover, it seeks to answer what are the social relations that have produced the space that Rawabi occupies and what kind of urban form has materialized as a result. Finally, it hopes to explain what are the main drivers of the new type of urban space that Rawabi embodies, how have they come together to make Rawabi a reality, and what goals do they hope to achieve through the realization of Rawabi. To address these questions, a framework for analysis on urban development in the West Bank that merges spatial theory with political economy will be used to explain how the coalescence of urban spatial production, neoliberalism, Israeli settler-colonialism, and the reconstitution of political-economic networks at local, regional, and transnational levels have made the realization of Rawabi possible. The thesis argues what has emerged out of these processes is a new urban form, which it calls the McCity. Accordingly, this argument will be unpacked in the following chapters. Chapter two consists of two parts where the theoretical framework presents the concepts of conceived space, abstract space, and neoliberalism, while the literature review explores recent political, economic, and social transformations that have occurred in the West Bank – all within the context of Israeli settler-colonialism. Chapters three and four are a socio-spatial analysis of Rawabi that focuses on the project’s urban form […].