Description: In Florida, land and water frequently change places with little warning, dissolving homes and communities along with the very concepts of boundaries themselves. While Florida’s landscape of saturated swamps, shifting shorelines, coral reefs, and tiny keys initially impeded familiar strategies of early U.S. settlement, such as the establishment of fixed dwellings, sturdy fences, and cultivated fields, over the course of the eighteenth and nineteenth centuries, Americans learned to inhabit Florida’s liquid landscape in unconventional but no less transformative ways.

In Liquid Landscape, Michele Currie Navakas analyzes the history of Florida’s incorporation alongside the development of new ideas of personhood, possession, and political identity within American letters. From early American novels, travel accounts, and geography textbooks, to settlers’ guides, maps, natural histories, and land surveys, early American culture turned repeatedly to Florida’s shifting lands and waters, as well as to its itinerant enclaves of Native Americans, Spaniards, pirates, and runaway slaves.

This preoccupation with Floridian terrain and populations, argues Navakas, reveals a deep American concern with the challenges of settling a region so exceptional in topography, geography, and demography. Navakas reads a vast archive of popular, literary, and reference texts spanning Revolution to Reconstruction, including works by William Bartram, James Fenimore Cooper, and Harriet Beecher Stowe, to uncover an alternative history of American possession, one that did not descend exclusively, or even primarily, from the more familiar legal, political, and philosophical conceptions of American land as enduring, solid, and divisible. The shifting southern edge of early America produced a new language of settlement, belonging, territory, and sovereignty, and that language would ultimately transform how people all across the rapidly changing continent imagined the making of U.S. nation and empire.





Abstract: Familiar to most anyone with knowledge of U.S. history, antebellum Indian removal likely evokes a drama comprised of two roles: on one hand, Indian peoples as represented by elite Cherokee activists, and, on the other, their political antagonists in the nascent states’ rights movement, among whom the infamous Andrew Jackson stands both as agent and symbol. What may be surprising, however, is that Americanist scholarship on Native removal similarly reduces it to an overarching Indian-Anglo binary. As against a two-worlds model that frames removal writ large in terms of a single political dualism, I argue that regionally specific forms of Native dispossession around the time of the Indian Removal Act (1830) yield different narrative assemblages of Indian identity. Further, these assemblages correspond with differences in the historical conditions of settler colonialism in different parts of the country, conditions irreducible to a single narrative premised on the territorial claims of the United States. Combining work in the field of Native studies by scholars such as Gerald Vizenor and Jodi Byrd with poststructuralist insights into the relationship between narrativity and historicism, this dissertation develops a geographic paradigm that emphasizes the ways in which both Native and settler actors use linear narratives of history to fashion claims to territory. Each chapter situates the work of an Indigenous activist of the period (the Cherokee spokesperson Elias Boudinot, the Pequot minister William Apess, and the Sauk warrior Black Hawk) in relation to non-Native political and literary texts that lay claim, whether implicitly or explicitly, to lands otherwise held by these activists’ respective nations. Accordingly, the project argues for a change in the conceptualization of Indian identity. Rather than a vexed yet essentially referential signifier for Native peoples, Indianness as a narrative construct marks the point at which uneven and at times competing territorial claims by different settler actors gives way to a portrait of the historical necessity of a given claim. What is more, this narrativity becomes available to Native peoples themselves as these regional struggles unfold. Insofar as it renders a linear historicity in the service of land claims, narrating Indianness gives Native activists a means to represent place-based Indigenous sovereignty to audiences not inclined to make sense of this concept.


Abstract: This dissertation is an ethnography of the body as medium in the North American Spiritualist tradition. With its origins in the “burned-over district” of upstate New York, Spiritualism is a homegrown religious movement rooted in the radical Protestant milieu of “Great Awakenings,” which evolved into an international religious movement with a distinctly secular bent. Spiritualists, unlike Pentecostals and Evangelicals, de-emphasize faith or belief and understand the spirits as present to the “natural” senses and thus demonstrable as “evidences, ” complicating the dialectics of faith and skepticism. Situated within North American “metaphysical” traditions, 19th century and contemporary Spiritualism foregrounds the centrality of mediumship and thus the spirit medium’s sensorium, through its practices of spirit communication. The medium is a figure of mediation, one who communicates the spectral presence of the dead—or as the Spiritualists’ say, “There are no dead!”—to the living. This dissertation looks at how this emphasis on spiritual evidences draws out modern antinomies between secular and religious experience, and the certainty and doubt engendered by the medium’s attention to ephemeral affects, sensations and images that define spirit presence. As such, it takes as its point of departure the Spiritualist medium’s discernment of the spirit world as a practice of making the body a media, or instrument, for the visual, auditory, and haptic sensation of the spirits of the dead. Based upon over three years of ethnographic fieldwork and archival research, this anthropological study was conducted in Spiritualist Churches, home circles, training courses, and in mediumship centers in New York City, upstate New York, New Jersey and London, including many summers spent in the long-standing Spiritualist camp of Lily Dale, in northwestern New York State. As this dissertation proposes, a focus on bodily mediation allows us to think the body not only as a specific kind of media in the common technological sense, but as a sensory instrument for mediation in the originary ontological sense, as religious mediation across thresholds—between people and spirits, the living and the dead, God and creation, human and nonhuman forces. This work argues that Spiritualism places secular and religious notions of experience within an immanent frame, making visible the problem of a body affected—in this case, by “clouds” of spirits—and, more fundamentally, the problem of the body’s doubleness: as if always already shadowed by its own spectrality. Mediumship, it argues, addresses itself to a kind of evidence, where what is sought is a kind of experience: an experience in which the spirits become discernible, and are figured into a verifiable state to become evidence for others. By making the body the central instrument for mediating invisible forces of spirit, history, and affect, North American Spiritualism—it proposes—opens onto a set of problems connecting image, settlement and experience, laced together as a problem of the body. If mediumship concerns the fact of sensation, the fact of being-affected, affects are the foreground, not the background, against which everything else takes place: to speak of the experience of mediumship is to speak of attunements to overlooked images and affects and the way these are concretized into more enduring spirit figures. It is to this cloudy realm of fugitive images and affections that this work tries to attend. Specifically, and in light of Spiritualisms’ focus upon spiritual experience as the unmediated ground of divine apprehension, this dissertation situates Spiritualism within a broader stream of Protestant iconoclasm, albeit at the margins, as a syncretic “metaphysical” movement of diverse spiritual and occult influences. This work suggests affinities between the Spiritualist medium’s mediation of spirit images, and a Puritan iconoclasm at the foundation of North American settler spirituality—where the displaced body of the settler becomes the central placeholder of religious experience and sacred image, the body itself figured as the sacred image or icon of God. Drawing upon these inheritances, Spiritualism is here situated within a spiritual geography of settlement. In particular, this concerns a geography connecting 19th century and present-day practices of spirit communication with spectral “Indians” and North American settlement’s iconoclastic foundations: a history of violence haunted by spectralized others. This dissertation would be of interest to readers of religious/mystical experience, philosophy of religion, media theory, affect theory, settler colonialism, Native American studies, gender studies, and ethnographic writing.